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It's not enough just to elect people of color and women of color and progressives. We need to make sure that they have a work plan and that they are - continue to align with the communities that helped get them to where they're at.
Because of the success of 'Hamilton' and 'On Your Feet!' you can't hide behind the old argument of, 'It needs to be bankable, so we can't put all these people of color in the show.' We are bankable.
In 'Hamilton,' we're telling the stories of old, dead white men, but we're using actors of color, and that makes the story more immediate and more accessible to a contemporary audience.
As an actor, you gain weight, you lose weight, you change your hair color, and you make changes physically and emotionally to be able to understand the character.
Seeing Michelle Obama's bright color choices, and how she made people smile and reinforced Obama's platforms of hope and change, was inspiring.
Tracey Cunningham is my colorist, and she is genius! We match my color from when I was a kid.
When I'm preparing for a swim, I imagine absolutely everything about it: the color of the water, how cold it is, the taste of salt in my mouth. I visualize each and every stroke.
When we go and cheer Cynthia Erivo on in 'The Color Purple,' it's because we've elected her to be our voice. She sings 'I'm Here' for all of us.
It's still a political statement to stand on stage as a person of color and be excellent. We still need those images to combat the narrative we're often fed - as someone innately inferior or inexorably linked with lack.
My best feature is the color of my eyes, but I don't know where that comes from.
I did not move into developing or processing color. I stayed with black and white. I still think to this day that I prefer to work in black and white if it has to do with poetry or anything other than specific reality. I have worked in color when I thought it was the appropriate way to express the thought that I was working on.
My constant goal is to create clothing that applies to the lifestyle of my customers. My clothing must be aesthetically pleasing in color, texture, and construction. Rapid changes are a part of fashion, and the demands of the industry are that I remain fluid and versatile. But my aesthetic requirements will always be the same.
There was one man who was interested in the color of music, the connection between light and music, and that was Einstein.
There's so many other talented women of color who write funny things every day, and I want them to be recognized, I want them to have a seat at the table because we're out here.
The U.S. is a rainbow of people with an endless scope of stories. My hope is that writing stories about people of color will become instinctual rather than something to be pushed for.
Designing bridal is perfect for me, because black is my least favorite color, if you could call it a color.
I always had influences musically with punk, and then growing up, I dyed my hair every color. I did the dip-dye blue, before anybody was dip-dyeing their hair. And streaks of pinks and purples and whatnot.
I've always been interested in art, architecture, color.
Color is definitely an important factor for me during all phases of producing a cover. I always start out with a loose idea of what I want to see when I'm doing my initial sketches. This choice can be informed by anything, but I usually tend to lean toward more simple color schemes... something with a very obvious push between warms and cools.
People of color face more barriers to health care, as do low-income individuals and those living in underserved rural and urban areas.
I am really into color and bright clothing. When I'm wearing heels, I always like to throw some different colors into my outfit, so it doesn't match. That gives my look a retro and funky feel.
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