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Anytime you win 10 games, let's look around the world, the country, and there's not a lot that do it consistently.
'In Country' was also made into a film, which opened the story up to a broader audience.
I used my NEA fellowship to write my novel, 'In Country,' which was published by Harper & Row in 1985.
Because we lived only a mile outside the town of Mayfield, I was acutely conscious of being country. I felt inferior to people in town because we had to grow our food and make our clothes.
'In Country' is about a high school girl's quest for knowledge about her father, who died in Vietnam just before she was born.
In the country in Kentucky, people are just amazed that anybody in New York wants to read about their lives.
Most of the time I was in the Northeast, I lived in the country, and I think that helped me to discover my material for writing.
The white people should go back to Europe, and the country should be returned to the American Indians. This is the future I would like to see for the so-called United States.
When I won the world championship, in 1972, the United States had an image of, you know, a football country, a baseball country, but nobody thought of it as an intellectual country.
Country music listeners really like genuineness, and I hope that's what we portray, and I think that's what we do.
I was always the pop guy that was a little too country. I talked a little too country; I brought the country artists in.
I worked in every format - pop, hip-hop, and alternative. I did a national sports show. When I finally got to decide what I wanted to do, country, to me, is the most authentic. I grew up on country music my whole life.
I do think that inside of country music now there's a very silent majority, and I represent that silent majority.
I grew up in Mountain Pine, Arkansas. You get no more country than where I grew up. But I also grew up in the Napster / iTunes / Spotify/ iHeart Radio era, and so I see that everything is influenced by everything else, and that's what country music is now.
I think that I represent people that sometimes don't have a voice because of how they grew up or where they grew up or the options that were given to them. I was able to kick my way out of that, but we have a real class problem in this country, where it's hard to jump classes.
I felt like it was the space that I could be the most authentic of anywhere because of how I grew up. Even though some of the songs and some of the texture wasn't what I like, I felt like country music was more authentic, in general, than anywhere else.
I really enjoy being with the people I play with. I enjoy their company. I love the crew, the band - we just move through the country like an army. I always feel very grateful to be up there. There aren't any bad nights anymore unless I'm singing bad, but then the band will carry me. And if they're playing bad, I will carry them..
I think a man should definitely be helping in the home. There are so many places in our country where it's kind of thought to be a woman's place, and it shouldn't be.
One of the questions that I hear over and over and over is, 'What do we do with all these paintings we do on television?' Most of these paintings are donated to PBS stations across the country. They auction them off, and they make a happy buck with 'em.
Saddam, as most tyrants, was a total control freak. He wanted total control of his regime. Total control of the country. And to introduce a wild card like Al Qaeda in any sense was just something he would not do.
Secondly, security. Both the challenges we face in the world and the responsibilities that our country has in protecting our people, are major issues. We need to do more in the context of domestic security.
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