Flaubert was right when he said that our use of language is like a cracked kettle on which we bang out tunes for bears to dance to, while all the time we need to move the very stars to pity.
Christopher HitchensRead
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Flaubert was right when he said that our use of language is like a cracked kettle on which we bang out tunes for bears to dance to, while all the time we need to move the very stars to pity.
Do you want me to tell you something really subversive? Love is everything it's cracked up to be. That's why people are so cynical about it. It really is worth fighting for, being brave for, risking everything for. And the trouble is, if you don't risk anything, you risk even more.
I still encourage anyone who feels at all compelled to write to do so. I just try to warn people who hope to get published that publication is not all it is cracked up to be. But writing is.
If there's magic in boxing, it's the magic of fighting battles beyond endurance, beyond cracked ribs, ruptured kidneys and detached retinas. It's the magic of risking everything for a dream that nobody sees but you.
Sundays too my father got up early and put his clothes on in the blueblack cold, then with cracked hands that ached from labor in the weekday weather made banked fire blazes. No one ever thanked him.
It is a symbol of Irish art. The cracked looking-glass of a servant.
Peitaho Heavy rains fall on Yuyen, the northland kingdom of swallows. White pages of rain envelop the sky, and fishing boats off the Island of the Emperor Chin disappear on the ocean. Which way have they gone? More than a thousand years ago the mighty emperor Tsao Tsao cracked his whip and drove his army against the Tartars. He left us a poem: "Let us move east to the Stone Mountains." Today we still shiver in the autumn gale, in desolate winds, yet another man is in the world.
The myth of integration as propounded under the banner of the liberal ideology must be cracked because it makes people believe that something is being achieved when in reality the artificially integrated circles are a soporfic to the blacks while salving the consciences of the few guilt-stricken whites.
Hers was a memory made up of snapshorts: being dragged through the snow by a pack of wolves, first kiss tasting of oranges, saying goodbye behind a cracked windshield. A life made up of promises of what could be: the possibilities contained in a stack of college applications, the thrill of sleeping under a strange roof, the future that lay in Sam's smile. It was a life I didn't want to leave behind. It was a life I didn't want to forget I wasn't done with it yet. There was so much more to say.
The art of healing is like an unroofed temple, uncovered at the top and cracked at the foundation.
If trust must be earned, hasn't God unequivocally earned our trust with the bark on the raw wounds, the thorns pressed into the brow, your name on the cracked lips.
We rarely get to prepare ourselves in meadows or on graveled walks; we do it on short notice in places without windows, hospital corridors, rooms like this lounge with its cracked plastic sofa and Cinzano ashtrays, where the cafe curtains cover blank concrete. In rooms like this, with so little time, we prepare our gestures, get them by heart so we can do them when we're frightened in the face of Doom.
We know one another. This is the present. There is no past and no future. Here I am washing my hands, and the cracked mirror shows me to myself, suspended as it were, in time; this is me, this moment will not pass.
It has been my face. It's got older still, or course, but less, comparatively, than it would otherwise have done. It's scored with deep, dry wrinkles, the skin is cracked. But my face hasn't collapsed, as some with fine feature have done. It's kept the same contours, but its substance has been laid waste. I have a face laid waste.
When you die of sorrow it's as if you've broken all the bones in your body, bruised yourself all over, cracked your skull. That's sorrow.
Being a princess isn't all it's cracked up to be.
When we lay the soil of our hard lives open to the rain of grace and let joy penetrate our cracked and dry places, let joy soak into our broken skin and deep crevices, life grows. How can this not be the best thing for the world? For us?
Momma said that ghosts couldn't move over water. That's why Africans got trapped in the Americas.. They kept moving us over the water, stealing us away from our ghosts and ancestors, who cried salty rivers into the sand. That's where Momma was now, wailing at the water's edge, while her girls were pulled out of sight under white sails that cracked in the wind.
Glass, China, and Reputation, are easily cracked, and never well mended.
And Father said, “There are no happy endings.” “Right!” cried Iowa Bob – an odd mixture of exuberance and stoicism in his cracked voice. “Death is horrible, final, and frequently premature,” Coach Bob declared. “So what?” my father said. “Right!” cried Iowa Bob. “That’s the point: So what?” Thus the family maxim was that an unhappy ending did not undermine a rich and energetic life. This was based on the belief that there were no happy endings.
Publication is not all that it is cracked up to be. But writing is.
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