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As Laurel Van Ness it's so much fun, and with that comes a creative outlet. You can be who you wanna be and be that particular character. I'm so thankful that Impact allows me to do that.
I love wrestling, but now wrestling is a job, it's my livelihood. Sometimes the job takes over and you forget to have fun and you forget to be creative and try new things.
In the world of the American creative writing workshop, I've encountered teachers who are tempted to place, or have actually placed, a moratorium on child narrators. Students love to write them, but children come laden with complications.
You have to know your identity. It's the biggest thing in wanting to pursue creative dreams.
I was the family alien. Both my parents are quite creative, but I was... appalling... always putting on little shows. I was rather a shy child, not a natural performer, but there was a performative edge to everything I did.
Like most creative people I don't fit well into boxes.
I've always had this passion to be creative, and wanted to sing or be in bands and make music, but I didn't have ideas as to what format it'd be, or how I'd do it. I'm not very good with plans. I didn't think it would be me at the front, either. In fact, I'd go as far as saying that was something I'd prevent.
I love church buildings, particularly cathedrals, and I like living in spaces that remind me of music or evoke that creative energy.
I look at the film as an opportunity to see some bountifully creative minds do something that I could not do - tell the story with images. I can't wait to see what they do.
It does seem to produce more creative results when there are limitations. It's like in wartime with rations - people became more inventive with cooking.
You have to be flexible, go with the flow sometimes, and get creative with things that's thrown at you.
We need to be creative, on the cutting edge, challenged, and it's really hard going. It's relentless, and we're relentless, and we have a history of breaking engineers, producers. I mean, people come out of working with U2 and just go, 'I just don't know what's happened; it feels like a lifetime has passed by.' And that's just the way we work.
Relevance, for me, is about being creative and doing things that you believe in, whether that's music or acting or painting a picture, or whatever that is.
As a woman, it is so tough to grow your business. People are ready to hear all your creative inputs, but the minute you start talking about numbers and statistics, they look over your shoulder to see whether you have a man backing you up or not.
I'm very proud of my records, but my most natural creative tendencies have been in live performing. There's a beautiful element to recording and making records, but I've always felt a little shy with it.
I'm a freestyle creative entrepreneur. Not a businessman. I like to create ventures in which creativity stands at the centre.
I'm a very creative person, but that side of me was suppressed because I was academic. I was depressed at school, and I didn't know why.
My mother and father were visionaries in Pittsburgh, part of that collective of people who were creative and active together, and I am a product of that community and those relationships.
The sooner you learn to finish things, and as a matter of course finish your creative endeavors, the better. It took me a long time to learn that.
Anything that is profoundly energy-shifting - like having a child - is fodder for creative thought. So for me, I welcome it and look straight into it as something to learn from.
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