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I am 5ft 10in. I got my height from my dad, who was very rangy. I like being tall.

My dad and his sister, who is no longer with us, used to dance on the streets for money. They had nothing.

My dad was born with no money.

The impetus for 'Power' was me writing about my dad, who was an advertising executive and very interested in image. He thought that perception was reality and what people thought of you was what was real about you.

My dad was very, very invested in image. He felt that as a black person, the thing you could control was how did you look, how did you dress, how did you sound, how did you smell, how did you act. All of that stuff that you could control would absolutely have a strong impact on your access.

My dad brought me up to be a good person.

Family is funny, and so it was not an unnatural thing for me, growing up, not to know anything about my dad or about the Vance side of our family.

Growing up, my dad and my mom were there for my sister and I.

Dad sometimes sends me texts saying, 'Just heard you on the radio, thumbs up', or whatever. So that's pretty cute.

It's funny because from the time I was a kid, I knew what I was going to do. What's even funnier is that my dad and my grandfather didn't want me to work at the pawn shop, but I was deadset on it.

I learn a lot from my dad and my grandpa, but I do things in a completely different way.

My dad, Chris, is from St Kitts. He worked in computers. I remember the first laptop when he brought it home. People from primary school came to check it out - it was huge.

My mum would take us to ballet, and we used to go as a family to Brownies. My dad used to take us to Saturday music school. My parents would never say: 'Oh, you've got to practice your violin now before tea.' We were self-motivated.

My dad hates reggae. He's from St. Kitts, which is a really British island, with Victorian values. He doesn't have a strong Caribbean accent. He didn't play Caribbean music in the house. He was really into soul music, collecting soul 45s.

My dad had a stroke. It's one of those life-changing events. It was right around the time I was turning 40. We were doing 'L.A. Law,' and I got this call that my dad was in Rome and had had a stroke. I want to stress that it wasn't a huge stroke, but it was enough to provide a serious wake-up call.

'Rust' really started with the passing of my dad, and me really looking back inward to my self about where I stand with all things on a faith/religious/spiritual level. And it's really put me on this interesting road and very educational, I might add, road back to understanding the role of faith in God and Christ in my life.

My dad got a job as a professor at Virginia Commonwealth University. He teaches biology and genetics. My dad has been obsessed with science his whole life. Both my paternal grandparents were illiterate bamboo farmers, so he really worked his way up and then got a Ph.D., full ride and everything, from universities in America.

I needed to step away from music because the truth was I couldn't be the dad I wanted to be to my kids. My truth was that I could not reconcile the two worlds - the entertainment world and being the dad I wanted to be in the present. You can't substitute time, you just can't.

Truthfully, I'm still Corey Hart, Dad, first.

My dad gave me this advice: 'Make what you want to do for the rest of your life the first thing you do in the day and then worry about hanging out with friends.'

My mom was sort of involved in amateur dramatics like Gilbert and Sullivan operetta, and played the violin. My dad played banjo and piano and sang as well, so there was all this music in my childhood.

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