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The supernatural world, the sci-fi world - they give you scenarios that can truly be life or death.

This thing has been studied to death by Republicans and Democrats: several committees, including in Congress, that have all said, 'Yes, of course what happened was tragic, but Secretary Clinton was not in any way at fault,' and what you have here with these e-mails is basically a witch hunt.

I am death-fearing. I don't think I'm morbid. That seems to me a fear of death that goes beyond the rational. Whereas it seems to me to be entirely rational to fear death!

Because death and illness are the most horrible things in life, of course that's where the most absurdly funny things are going to happen.

The Chinaman has only a passive courage, but this courage he possesses in the highest degree. His indifference to death is truly extraordinary. When he is ill, he sees it approach, and does not falter. When condemned, and already in the hands of an officer, he manifests no fear.

My father's death was the most terrible thing that happened to me in my life.

Death is just a continuation of life.

It scares me to death if Affirmative Action goes away.

The story of Hosea and Gomer is the second most powerful picture of God's love in the Bible. Other than Christ's death, there is no greater picture of love.

Death is not my best subject.

I've been present at birth, and death is just as present and in equal balance. And I've been present at death, and birth is just as present, again in equal balance.

I still receive very regular death threats that make it impossible for me to return to Indonesia. I think I could get in, but I don't think I could get out again.

My last album as J. Tillman, 'Singing Ax,' that was really a premeditated death rattle of the aesthetic precedent I had set. I realized I wasn't creating spontaneously; I was enforcing all these parameters. I was too self-loathing or something, and there was this obvious dissonance between my conversational voice and creative voice.

This fear of death infused me with the desire to live, and to live harder.

We're actually doing something scripted that's totally, you know, we kind of know what's going on, however, we're having to live life and death as the art.

The death of one man is a tragedy. The death of millions is a statistic.

One death is a tragedy; one million is a statistic.

Death is the solution to all problems. No man - no problem.

Working on 'Death In Paradise' is very challenging, but it enables me to go further in my acting.

Appearing in 'Death in Paradise' was my very first time acting in English.

This was the man, this Balaam, I say, was the man, who desired to die the death of the righteous, and that his last end might be like his; and this was the state of his mind when he pronounced these words.

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