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But things such as 'Harry Potter', all I can do is shape my character, seek the director's approval on that, and basically take it from there. Professor Flitwick in 'Harry Potter', I kind of defined how I saw him from reading the book, and luckily that matched up with the director's vision.
I always felt I wouldn't be able to carry off what the directors require from me. Luckily, I manage.
It is strange, but directors have always shown more confidence in my abilities than I've in myself.
I enjoyed working with all my directors. I may have done more films with certain directors, but it doesn't mean I enjoyed working more with them and less with others.
It's exciting to work with new directors with new ideas.
I would like to work with new-generation directors like Karthik Subbaraj, Nalan Kumarasamy and Seenu Ramasamy.
I've had the privilege to work with fantastic directors - Ram Gopal Varma, Mani Ratnam, Inder Kumar, to name a few.
It has happened with me that I get a role of a cop for a film. Few directors typecast you if you do that particular role well. But, it is the actor who has to decide whether he fits in that role or not.
I worked with young directors all my life, only young directors.
I was lucky that I could work with directors like Kamal, Lal Jose and Sibi Malayil. They understood music and gave me a free hand.
Directors have to come forward and give women a chance to show their potential; they have to create more lady superstars.
I surrender to my directors. I do that because I respect them immensely. In fact, a director's talent scares me. I admit that they're more intelligent than me, and I submit to that, as an assistant director does. Even when I have suggestions to make, I don't state them strongly.
I want to make my kind of films but make them work commercially, too. When my presentation meets the director's imagination, the result will be great.
The energy of first-time directors is tremendous. They work beyond the limits for a hit in this competitive industry.
All my films have turned out well only because of the director's brilliance, not because of me.
Many directors are approaching me with good scripts. I will concentrate on production and music.
New directors are safe. They tell you the full story and since they are new, they try to put their heart and soul into the project.
I love writing. Given a choice, after directing for all these years, and if given an army of talented directors, I would not direct at all.
I would love to work with Cameron Crowe; he's definitely one of my favorite directors.
Cinema is a director's medium; it's his story and his vision. If it's a good story, people will connect to it.
I just want to grow as an actor and work with good directors.
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