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So I moved to Europe and only came back when directors like Robert Altman would call me after they'd seen my work in Full Metal Jacket.
In Hollywood, story content of movies follows a hierarchy of power, not the relative quality of various ideas. Hollywood does not lack for quality writing. It's just that quality writing commonly has to be sacrificed in order to propel a film into production. A studio needs a star and a director to make a film, so those are the folk who'll define the content. If they don't have the same creative sensibilities, then the content will change.
I'm not the kind of director who aims to send a message out.
I became a film director, but I wasn't successful with my first couple of films, so I had to turn to becoming a film critic to make a living.
I am sure I am one of 2000 film directors in the world that Tarantino admires.
When I worked on Altar Boys, they wanted to see us having fun. The four of us would have fun on set and steal each other's lines, and mess with the director.
A lot of TV is put together by teams, by writing staffs and several different directors. It's a great, very smart way to make television. It's worked for however long TV's been around.
I'm a storyteller - that's the chief function of a director. And they're moving pictures, let's make 'em move!
A Director Makes Only One Movie in His Life. Then He Breaks It Into Pieces and Makes It Again.
Your own barometer is all you have to go by, and often what makes a good director is knowing when not to say something. On occasions you can find yourself on a film set where the person who is wearing the director's hat is only trying to justify his position.
What I look for in a script is something that challenges me, something that breaks new ground, something that allows me to flex my director muscle. You have got to think fast in this business, youve got to keep reinventing yourself to stay on top.
Maybe I have just a younger voice than many other directors.
Its... a hard thing for a director, to think you came up with a shot, something from your mind, and someone died while doing it. Its the worst thing youll ever have to live with. It was very hard for me to get back on the horse again.
The attitude of the English towards English history reminds one a good deal of the attitude of a Hollywood director towards love.
I've run into some S.O.B. directors, but I gave them back as good as I got.
I watched a couple of really bad directors work, and I saw how they completely botched it up and missed the visual opportunities of the scene when we had put things in front of them as opportunities. Set pieces, props and so on.
The magic doesn't come from within the director's mind, it comes from within the hearts of the actors.
How can you have a director that doesn't go to work with the crew every day and talk to them?
As you follow the escapades or the journey of the hero through a story, it evokes some kind of emotion in the viewers. The director's job is to make sure that the audience goes through the journey and has an emotional reaction.
Directors, like actors, get typecast. And because I've had great success with comedy and horror and TV shows, that's basically what I'm kind of offered.
It's not that I don't want to, it's just that there's no money in it. By that I mean the way the video business works now, the artist and the record label send out a song to a bunch of different directors and say, 'What would you do with this?' Then everyone has to come up with an idea and bid on it. For me, it's like, 'Hey, you want me to do it? Then pay me. I'm not auditioning for you.'
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