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If you managed a baseball team, would you listen more closely to the team accountant or the director of player personnel?

I think one of the major things a director has to do is to know his subject matter, the subject matter of his script, know the truth and the reality of it. That's very important.

Lyrical lecture, word architecture,_x000D__x000D_Rap director, the best in my sector._x000D__x000D_Microphone cool chief, releasin the smooth speech..._x000D__x000D_I get nasty with a pen and some loose leaf.

I like working as a director most.

Acting is the work of two people - it's only possible when you have the complicity, the help, even the manipulation of a director.

A story should have a beginning, a middle and an end, but not necessarily in that order.

I'm quite good friends with the putative director, Vincenzo Natali, and I'm a big fan of his work, but beyond that, I don't like to talk about other people's work work-in-progress.

I don't always see my movies right away. And there are some I haven't seen at all. Sometimes that bothers the directors, so I'm obliged to see them.

All of the directors I've worked with I have loved and would work with again. I have no favorites.

I will never become a director or a movie producer. I was always looking at picture directing because I didn't know what to do! You can't be a movie director without real preparation.

My director, Jesus, does not teach me to count my acts, but to do everything for love, to refuse Him nothing, to be pleased when He gives me a chance to prove to Him that I love Him - but all this in peace - in abandonment.

John Carpenter created the idea of Halloween, so his vision remains the most focused and intelligently directed of the series. The directors that have followed have kept the original intent of the concept.

I was too dumb to know Opie was going to grow up to be a great Director, if so, boy, I would certainly have become his best friend.

If you're a director, your entire livelihood and your entire creativity is based on your self-confidence. Sometimes that's dangerously close to arrogance.

Voyeurism is a director's job description. It's an artist's, too.

We're long past having to defend or explain why women should be on boards, given all the data that shows how companies with female as well as male directors perform better. It's unfortunate when companies with a large percentage of women constituents don't reflect that in their boardrooms.

When I make a movie, I don't break it down and analyze it. I could but it would get in the way of doing a job - on instinct based on all the research we did going in. you want to trust yourself and your director and your acting partners in the circumstances you're shooting. I don't like to have any kind of overview.

Looking at acting, in the movies or the theater, and the way I like to look at it, it’s just an extension of childhood play… Kids play and imagine in a very intense fashion and they don’t need any director telling them “You really have to believe in it.” They believe in it completely.

I've been lucky to learn by playing all kinds of roles and watching all kinds of really good cinematographers, actors, and directors for many years before people were even aware of me in terms of audience.

I've never been conscious of having any real career plan, and I do not have a wish-list of actors, directors, screenwriters, or cameramen I'm hoping to work with. Life, I feel, has a way of leading us to the right situations and people, or at least to interesting ones.

I've never played a Dane in a movie. I've had offers to be in Danish movies, including for some good directors, but I either had a job at the time or, when I was available, the movie just didn't happen. Hopefully someday I'll do one.

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