I thought climbing the Devil's Thumb would fix all that was wrong with my life. In the end, of course, it changed almost nothing. But I came to appreciate that mountains make poor receptacles for dreams.
Jon KrakauerRead
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I thought climbing the Devil's Thumb would fix all that was wrong with my life. In the end, of course, it changed almost nothing. But I came to appreciate that mountains make poor receptacles for dreams.
There is at the back of every artist’s mind something like a pattern and a type of architecture. The original quality in any man of imagination is imagery. It is a thing like the landscape of his dreams; the sort of world he would like to make or in which he would like to wander, the strange flora and fauna, his own secret planet, the sort of thing he likes to think about. This general atmosphere, and pattern or a structure of growth, governs all his creations, however varied.
I sleep all day. Noises flit around the house- garbage truck in the alley, rain, tree rapping against the bedroom window. I sleep. I inhabit sleep firmly, willing it, wielding it, pushing away dreams, refusing, refusing. Sleep is my lover now, my forgetting, my opiate, my oblivion. [...] It is afternoon, it is night, it is morning. Everything is reduced to this bed, this endless slumber that makes the days into one day, makes time stop, stretches and compacts time until it is meaningless.
Once in a dream I saw a snake swallowing its own tail, it swallowed and swallowed until it got halfway round, and there it stopped and there it stayed, it was stuffed with its own self. Some fix, that. We only have ourselves to go on, and it's enough.
The voice of the nickly reflection of the moon was not as deep as you might expect. It was a singer’s voice, though, a tenor, one that loved itself without reservation. “I feel time like you dream. Your dreams are jumbled. You can’t remember the order of your dreams, and when you recall them, the memories bend. Faces change. It’s all in puddles and ripples. That’s what time is for me.
She often spoke to falling seeds and said, "Ah hope you fall on soft ground," because she had heard seeds saying that to each other as they passed. The familiar people and things had failed her so she hung over the gate and looked up the road towards way off. She knew now that marriage did not make love. Janie's first dream was dead, so she became a woman.
At least once a day, allow yourself the freedom to think and dream for yourself.
I’ve been rereading your story. I think it’s about me in a way that might not be flattering, but that’s okay. We dream and dream of being seen as we really are and then finally someone looks at us and sees us truly and we fail to measure up. Anyway: story received, story included. You looked at me long enough to see something mysterioso under all the gruff and bluster. Thanks. Sometimes you get so close to someone you end up on the other side of them.
Knot the tie and go to work, unknot the tie and go to sleep. I sleep. I dream. I wake. I sing. I get out the hammer and start knocking in the wooden pegs that affix the meaning to the landscape, the inner life to the body, the names to the things. I float too much to wander, like you, in the real world. I envy it but that’s the dealio—you’re a train and I’m a trainstation and when I try to guess your trajectory I end up telling my own story.
We wrapped our dreams in words and patterned the words so that they would live forever, unforgettable.
Five minutes are enough to dream a whole life, that is how relative time is.
There are all sorts of dream interpretations, Freud's being the most notorious, but I have always believed they served a simple eliminatory function, and not much more - that dreams are the psyche's way of taking a good dump every now and then.
If blue is dream what then innocence? What awaits the heart if Love bears no arrows?
Do not lose hope — what you seek will be found. Trust ghosts. Trust those that you have helped to help you in their turn. Trust dreams. Trust your heart, and trust your story. (from 'Instructions')
Cities, like dreams, are made of desires and fears, even if the thread of their discourse is secret, their rules are absurd, their perspectives deceitful, and everything conceals something else.
We should show life neither as it is or as it ought to be, but only as we see it in our dreams.
Be careful who you choose as your hero or who you choose to deify, be it Clay Aiken or Barack Obama. You put all you're hope and all your dreams and all your ideas about stuff into one human being. They're a human being they're going to let you down. You can't make someone your hero because of something you read on the internet. The internet is not a source of information it is a source of disinformation.
I believe that we are lost here in America, but I believe we shall be found. And this belief, which mounts now to the catharsis of knowledge and conviction, is for me--and I think for all of us--not only our own hope, but America's everlasting, living dream.
As Dostoevski said: 'Love in action is a harsh and dreadful thing compared with love in dreams.
When you set down the path to create art, whatever sort of art it is, understand that the path is neither short not easy. That means you must determine if the route is worth the effort. If it's not, dream bigger.
But in order to speak about all and to all, one has to speak of what all know and of the reality common to us all. The seas, rains, necessity, desire, the struggle against death--these are things that unite us all. We resemble one another in what we see together, in what we suffer together. Dreams change from individual, but the reality of the world is common to us all. Striving towards realism is therefore legitimate, for it is basically related to the artistic adventure.
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