They came to her, naturally, since she was a woman, all day long with this and that; one wanting this, another that; the children were growing up; she often felt she was nothing but a sponge sopped full of human emotions.
Virginia WoolfRead
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They came to her, naturally, since she was a woman, all day long with this and that; one wanting this, another that; the children were growing up; she often felt she was nothing but a sponge sopped full of human emotions.
The first and simplest emotion which we discover in the human mind, is curiosity.
for how can you remember the feel of pleasure or pain or choking emotion? You can remember only that you had them.
if we focus on what's ugly, we attract more ugliness into our thoughts, and then into our emotions, and ultimately into our lives
The sea is only the embodiment of a supernatural and wonderful existence. It is nothing but love and emotion; it is the 'Living Infinite.
I've never heard my dad say a bad word about anybody. He always keeps his emotions in check and is a true gentleman. I was taught that losing it was indulgent, a selfish act.
I have done, this year, what I said I would: overcome my fear of facing a blank page day after day, acknowledging myself, in my deepest emotions, a writer, come what may.
Look well into thyself; there is a source of strength which will always spring up if thou wilt always look.
It's because I like you, I don't want to be with you. It's a complicated emotion.
She say guilt is a useless emotion." "Oh, please," says Nancy. "Guilt is what separates humans from animals.
It is only shallow people who require years to get rid of an emotion. A man who is master of himself can end a sorrow as easily as he can invent a pleasure. I don't want to be at the mercy of my emotions. I want to use them, to enjoy them, and to dominate them.
You are a lover of your own experience ... not of me ... you turn to me to feel ur own emotion
This has been her problem all her life: picturing other people's responses. She's too good at it. She can picture the response of anyone--other people's reactions, their emotions, their criticisms, their demands--but somehow they don't reciprocate. Maybe they can't. Maybe they lack the gift, if it is one.
His conviction of having no purpose in life other than to act as a distillation of poison was part of the ego of an eighteen-year-old. He had resolved that his beautiful white hands would never be soiled or calloused. He wanted to be like a pennant, dependent on each gusting wind. The only thing that seemed valid to him was to live for the emotions--gratuitous and unstable, dying only to quicken again, dwindling and flaring without direction or purpose.
I really think the range of emotions and perceptions I have had access to as a black person and as a female person are greater than those of people who are neither.... So it seems to me that my world did not shrink because I was a black female writer. It just got bigger.
When we experience a film, we consciously prime ourselves for illusion. Putting aside will and intellect, we make way for it in our imagination. The sequence of pictures plays directly on our feelings. Music works in the same fashion; I would say that there is no art form that has so much in common with film as music. Both affect our emotions directly, not via the intellect. And film is mainly rhythm; it is inhalation and exhalation in continuous sequence.
A wild longing for strong emotions and sensations seethes in me, a rage against this toneless, flat, normal and sterile life. I have a mad impulse to smash something, a warehouse perhaps, or a cathedral, or myself, to committ outrages.
Personally, I am a hedonistic reader; I have never read a book merely because it was ancient. I read books for the aesthetic emotions they offer me, and I ignore the commentaries and criticism.
Mari remembered what she had read in the young girl's eyes the moment she had come into the refectory: fear. Fear. Veronika might feel insecurity, shyness, shame, constraint, but why fear? That was only justifiable when confronted by a real threat: ferocious animals, armed attackers, earthquakes, but not a group of people gathered together in a refectory. But human beings are like that,' she thought. 'We've replaced nearly all our emotions with fear.
Poets are always taking the weather so personally. They're always sticking their emotions in things that have no emotions.
You are the patient one, Mademoiselle,' said Poirot to Miss Debenham. She shrugged her shoulders slightly. 'What else can one do?' You are a philosopher, Mademoiselle.' That implies a detached attitude. I think my attitude is more selfish. I have learned to save myself useless emotion.
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