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I thoroughly enjoyed working on Enemy of the State. Tony Scott is an important director, and has an amazing ability to express himself, and he doesn't do it in musical terms, he does it in emotional terms. I got along really well with him.
I think my films are very English. That certain emotional distance, interest in the world, interest in irony. These are all deeply English propositions.
There are, after all, approaches to be made other than the dependable routes that massage sentimental expectations and provide easy opportunities for emotional identification.
Doctors are directly responsible for hooking millions of people on prescription drugs. They are also indirectly responsible for the plight of millions more who turn to illegal drugs because they were taught at an early age that drugs can cure anything - including psychological and emotional conditions - that ails them.
I was trying to write an autobiography using prints and patterns that reference emotional, psychological, and personal development in my work, as a person growing up, figuring out who I was. I used fabrics to stand in for occurrences.
As a viewer, my own work elicits strong emotional reaction from me.
We want character but without unyielding conviction; we want strong morality but without the emotional burden of guilt or shame; we want virtue but without particular moral justifications that invariably offend; we want good without having to name evil; we want decency without the authority to insist upon it; we want more community without any limitations to personal freedom. In short, we want what we cannot possibly have on the terms that we want it.
When we heal ourselves, others are healed. When we nurture our dreams, we give birth to the dreams of humankind. When we walk as loving aspects of the Earth Mother, we become the fertile, life-giving Mothers of the Creative Force. When we honor our bodies, our health, and our emotional needs, we make space for our dreams to come into being. When we speak the truth from our healed hearts, we allow life abundant to continue on our Mother Planet.
Adolescence represents an inner emotional upheaval, a struggle between the eternal human wish to cling to the past and the equally powerful wish to get on with the future.
I hate being so emotionally slutty. I need to stop loving everyone I have a long conversation with.
To be a human being means to possess a feeling of inferiority which constantly presses towards its own conquest. The greater the feeling of inferiority that has been experienced, the more powerful is the urge for conquest and the more violent the emotional agitation.
The way you reach that awareness is through an inner journey that brings about an emotional, psychological, and spiritual transformation. A deep inner shift in your reality occurs, aligning you with the creative energy of the Universe. Such change is possible when you invite Spirit to open up the eyes of your awareness to the abundance that is already yours.
One girl, actually, in the UK — it was a really small show in Wales — a girl came up to me and said that because of one of my songs she was still alive. She’d decided not to commit suicide. It was a really emotional moment.
Men We Reaped is a fiercely felt meditation on the value of life that at once reminds us of its infinite worth and indicts us - as a society - for our selective, casual complicity in devaluing it. Ward's account of these losses is founded in a compelling emotional honesty, and graced with moments of stark poetry.
Sometimes in a relationship, we can be so caught up in our feelings for the other person that we squeeze God into the background. It becomes a confusing, emotional mess and we wonder why God isn't giving us more direction, when all the while He is there waiting to be allowed back into first place in our hearts. Only when He is truly in first place are we ready for a God-written love story.
By deafening ourselves to the emotional consequences of violence we have become confused by its relationship to sex. We have come to believe that violence equals aggression, and we have come to base our model of sexuality on our model of violence... converting an act of aggression into an act of consensual sexuality.
When we are playing [games], we are stretching our emotional expressive ranges, loosening up our biochemical flow of information, getting unstuck, and healing our feelings.
Programmers are as emotional and irrational as normal people
Sustained change only happens when we shift at an emotional rather than logical level.
I do think I have an ability to record sensual and emotional facts and factoids, to construct a convincing surface of what life feels like, both physical life and emotional life.
So basically, I think music at its best can be everything. It can be totally stupid and very intellectual and emotional at the same time. I don't think all those things shut each other out.
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