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I just keep following the good writing. I'm not good enough to make bad writing look good. Some people can, and I admire them for it, but I cannot. I will go down with the ship.

There were personality clashes in Free, really. I think it's as simple as that; I think we felt we weren't leaving each other enough room to develop in our own way, and we were restricting each other. So we said, let's go different ways.

I still love 'All Right Now,' strangely enough. But then that's probably because I didn't play it for some twenty years.

I don't want affirmative action - too much affirmative, not enough action.

My kitchen is not a place to live in. I made it white so I can tell instantly if it's not clean-and I like it clean enough to be able to eat off the floors-or the tables, for that matter.

I was never very good at exams, having a poor memory and finding the examination process rather artificial, and there never seemed to be enough time to follow up things that really interested me.

Get digital scales because, for baking, balance scales just aren't accurate enough: it's all in the weighing up.

Jim Henson once allowed me to visit the Muppets on set and spent an entire day showing me how he and the other puppeteers performed Kermit and all the characters! After that, I was lucky enough to work with both George Lucas and Steven Spielberg on many fun animation projects and learned so much from them.

I think humanity is not wise enough to know what genotype or somatype is going to be the most successful or the most fit - simply because we're not fully in control of our environment.

I like it when an actor is secure enough to ask questions, and the director is secure enough not to be threatened by that.

A large part of the appeal of this novel when I was lucky enough to stumble across the story idea for 'A Head Full of Ghosts' was that I'd finally be writing a horror novel. In a lot of ways, the book is both my criticism of and love letter to horror.

When you trust your subconscious enough to put something in a story and then figure out why it really needed to be there later, when that works out, aye, that's the stuff.

For me, science is already fantastical enough. Unlocking the secrets of nature with fundamental physics or cosmology or astrobiology leads you into a wonderland compared with which beliefs in things like alien abductions pale into insignificance.

So how can we test the idea that the transition from nonlife to life is simple enough to happen repeatedly? The most obvious and straightforward way is to search for a second form of life on Earth. No planet is more Earth-like than Earth itself, so if the path to life is easy, then life should have started up many times over right here.

I'm a very careful, slow writer, and I think a lot of that comes from the care required to be a hand-printer, where if something isn't spaced out enough, you take little slivers of brass or copper and put them between each letter.

I guess if you stay around long enough, they can't get rid of you.

If 10 percent is good enough for the Lord, it ought to be good enough for Uncle Sam.

Families survive the Terrible Twos because toddlers aren't strong enough to kill with their hands and aren't capable of using lethal weapons. A 2-year-old with the physical capacities of an adult would be terrifying.

I don't think longevity gets enough credit when you're talking about a player.

Having Wayne in town will be exciting enough.

I'm not a person or a selfish player, but we have to move the ball more, and we have to look further the team game, because we have enough talent to use different players.

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