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I don't even call them fans. I don't like that. They're literally just a part of my life; they're a part of my family. I don't think of them as on a lower level than me. I don't think I'm anything but equal to all of them. So yeah, they're basically all of my siblings.

You never get fans hanging out on movie sets. It just never happens.

The horror fan base is fantastic. It really has devoted fans, and I like that aspect of the genre. The people who are making it are always really wonderfully nerdy, creative people, which I always love.

I'm much better known in France and Germany and Spain than I am in the U.S. When I go to Russia, I get mobbed; I have groups of fans waiting for me out in the hotel lobby, waiting for me to come down off the elevator. In China, I almost got beat up because people were trying to get me to do a drawing for them.

The fans, with all due respect, they don't affect the decisions I would make as a coach.

I had fans, and the industry and everybody saying, 'Keep the Righteous Brothers going; keep the music alive,' and I really didn't want to do that. I had sung with a couple of guys who would supposedly be really good Bobby Hatfields, and I thought, 'Oh geez, it's really anti-climatic.'

We wanted to be successful, we wanted to shoot a video. We just wrote a song and we were like, 'OK, let's go onstage! Let's shoot a video for it!' That was always our dream... We just wanted to have fans and a crowd who would listen.

It's really hard to get fans in another country, especially here, because America is so, so big, so it's really hard to get known in this country.

I'm always working and coming up with new and fresh ideas to keep my fans engaged and keep myself relevant.

I'm an artist. I'm a gay artist. My preferred identity is, 'any of the sort.' My fans like to identify me as 'she,' but I'm comfortable with who I am, I know who I am and it's all fine with me.

I think Red Sox fans have always been good to me; they've treated me well.

Fans, when they see me, they're like, 'Rah, he's a real funny person,' but everyone who grew up with me is like, 'Rah, that's Fat Tyrone.'

To play your music in front of the fans that love it, it's like the best feeling in the world.

Obviously, you want to get adoration from fans and people who consume what you do, but also getting that from your peers goes a long way. That's how I keep my perspective. I feel really fortunate.

I think when people see a genuine human, someone who is genuine in the way they try to come across - in a way they try to approach the world, I think it's allowed me to connect with fans.

There's no replacement for a live crowd. The fans are our barometer - whether they love something or hate it, they will let you know.

You see the guys in the Ribera jackets and it's really a rite of passage to be able to work in Japan, come over here and perform for the fans here, and then come over to Ribera Steakhouse and get that jacket.

Getting to show up and show out in front of the fans, that means the world to me.

The ThunderDome is great. I remember walking in the arena and I actually for a second thought that there were fans out there. I had to remind myself it's not actually live fans but it sounds like it and with the energy that environment brings, it's just amazing.

I think a lot of my fans are anxious for more than just my singles. They know I'm a dreamer. They know I'm someone who is real spiritual. I love to have fun, and I always have fun songs - songs you can party to. But I also always have songs you can live to, that when you're depressed, it may lift your spirits up.

I miss being on the road. I miss being in front of the fans of the WWE Universe. I miss being on RAW every Monday. I'm just really, really itching to get back.

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