You have to love. You have to feel. It is the reason you are here on earth. You are here to risk your heart.
Louise ErdrichRead
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3,133 quotes
You have to love. You have to feel. It is the reason you are here on earth. You are here to risk your heart.
It is evident that skepticism, while it makes no actual change in man, always makes him feel better.
Possibly everyone will travel by air in another fifty years. I'm not sure I like the idea of millions of planes flying around overhead. I love the sky's unbroken solitude. I don't like to think of it cluttered up by aircraft, as roads are cluttered up by cars. I feel like the western pioneer when he saw barbed-wire fence lines encroaching on his open plains. The success of his venture brought the end of the life he loved.
Whatever happens to you belongs to you. Make it yours. Feed it to yourself even if it feels impossible to swallow. Let it nurture you, because it will.
I've spent a lot of time playing roles that didn't really challenge me. I suppose every actor feels that way.
In an age when so many groups are rolling out restaurants faster than your local baker makes donuts, my goal is that each restaurant feels hand-crafted. That they have their own soul.
When a mother feels cold, she asks the child to wear a sweater. Our concept of poverty is that way. When we do a project and people receive our help, we may think that they are getting benefited, but is this what they really wanted?
To confer the gift of drawing, we must create an eye that sees, a hand that obeys, a soul that feels; and in this task, the whole life must cooperate. In this sense, life itself is the only preparation for drawing. Once we have lived, the inner spark of vision does the rest.
I just save my money, man. I don't even try to enjoy it like these other rappers; they having fun and they lit, but they gon' be broke later on. I be savin', I be chillin'. It feels good to know I got it, but it feel better to know I'ma keep it too.
You write because you have an idea in your mind that feels so genuine, so important, so true. And yet, by the time this idea passes through the different filters of your mind, and into your hand, and onto the page or computer screen - it becomes distorted, and it's been diminished.
You must keep people happy backstage because that affects what's onstage. During a run, the playwright feels like the mayor of a small town filled with noble creatures who have to get out there and make it brand new every night. When a production works, it's unlike any other joy in the world.
Come on, say it again. I'm a perfect devil. Tell me how bad I am. It makes me feel so good!
The problem with love and God, the two of them, is how to say anything about them that doesn’t annihilate them instantly with the wrong words, with untruth. . . . In this sense, love and God are equivalents. We feel both, but because we cannot speak clearly about them, we end up–wordless, inarticulate—by denying their existence altogether, and, pfffffft, they die.
When we hold each other, in the darkness, it doesn't make the darkness go away. The bad things are still out there. The nightmares still walking. When we hold each other we feel not safe, but better. "It's all right" we whisper, "I'm here, I love you." and we lie: "I'll never leave you." For just a moment or two the darkness doesn't seem so bad.
Your true passion should feel like breathing; it’s that natural.
Then you'll feel your cheek scratched... A little kiss, like a crazy spider, Will run round your neck... And you'll say to me : "Find it !" bending your head - And we'll take a long time to find that creature - Which travels a lot.
It was in Spain that [my generation] learned that one can be right and yet be beaten, that force can vanquish spirit, that there are times when courage is not its own recompense. It is this, doubtless, which explains why so many, the world over, feel the Spanish drama as a personal tragedy.
People who fail focus on what they will have to go through; people who succeed focus on what it will feel like at the end.
People are afraid to pursue their most important dreams, because they feel that they don’t deserve them, or that they’ll be unable to achieve them. We, their hearts, become fearful just thinking of loved ones who go away forever, or of moments that could have been good but weren’t, or of treasures that might have been found but were forever hidden in the sands. Because, when these things happen, we suffer terribly.
Perhaps it is not-being that is the true state, and all our dream of life is inexistent; but, if so, we feel that these phrases of music, these conceptions which exist in relation to our dream, must be nothing either. We shall perish, but we have as hostages these divine captives who will follow and share our fate. And death in their company is somehow less bitter, less inglorious, perhaps even less probable.
I was the captain of the latent paranoid softball team. We used to play all the neurotics on sunday morning. Nailbiters against the bedwetters, and if you've never seen neurotics play softball, it's really funny. I used to steal second base, and feel guilty and go back.
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