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There are parts of me that I feel are beautiful, but they don't have anything to do with my nose.
Poets say science takes away from the beauty of the stars - mere globs of gas atoms. I, too, can see the stars on a desert night, and feel them. But do I see less or more?
I still feel threatened by academics, but my books have a lot of academic in-jokes and everybody assumes I went to university and studied English.
Mary Tyler Moore was a working woman whose story lines were not always about dating and men. They were about work friendships and relationships, which is what I feel my adult life has mostly been about.
When humor works, it works because it's clarifying what people already feel. It has to come from someplace real.
I feel like I represent normalcy in some way.
Acting is really about showing up that day and telling the writers what you feel like saying.
Now I feel like whatever I do, no one can hurt me. I cannot be violated, I cannot be humiliated, I cannot be disregarded, I cannot be disrespected.
I really feel like knife skills - not just in the kitchen, but in life - are really critical.
Everybody sees me as this sullen and insecure little thing. Those are just the sides of me that I feel it's necessary to show because no one else seems to be showing them.
The way I feel about music is that there is no right and wrong. Only true and false.
When you're surrounded by all these people, it can be even lonelier than when you're by yourself. You can be in a huge crowd, but if you don't feel like you can trust anybody or talk to anybody, you feel like you're really alone.
I think Hispanic women are beautiful with their curves. I'm not sure who feels that way in Hollywood. I was never told to lose 50 pounds. If they think that they just don't bother with you. You just don't get the role and you never know why. That's still better than physically harming yourself and becoming unhealthy just to star in a movie.
Nothing that you do will ever feel good if you let people convince you that you have no choice.
Saturday Night Live is such a comedy boot camp in a way, because you get to work with so many different people who come in to host the show and you get thrown into so many situations and learn how to think on your feet, so filmmaking actually feels slow, in a good way.
I think anyone who has, you know, is in any sort of artistic pursuit, kind of goes up and down with the way they feel about their work. And I, for the most part, am pretty happy person. But, yeah. I go through definite periods of time where I'm not funny. I'm not good. I'm - I don't feel original.
I never smile when I have a bat in my hands. That's when you've got to be serious. When I get out on the field, nothing's a joke to me. I don't feel like I should walk around with a smile on my face.
I've not been a prolific poet, and it always seemed to me to be a bad idea to feel that you had to produce in order to get... credits. Production of a collection of poems every three years or every five years, or whatever, looks good, on paper. But it might not be good; it might be writing on a kind of automatic pilot.
Whenever I run into prejudice. I smile and feel sorry for them, and I say to myself, There's one more argument for birth control.
I'm a romantic, and we romantics are more sensitive to the way people feel. We love more, and we hurt more. When we're hurt, we hurt for a long time.
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