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Saturday Night Live is such a comedy boot camp in a way, because you get to work with so many different people who come in to host the show and you get thrown into so many situations and learn how to think on your feet, so filmmaking actually feels slow, in a good way.
I think anyone who has, you know, is in any sort of artistic pursuit, kind of goes up and down with the way they feel about their work. And I, for the most part, am pretty happy person. But, yeah. I go through definite periods of time where I'm not funny. I'm not good. I'm - I don't feel original.
I never smile when I have a bat in my hands. That's when you've got to be serious. When I get out on the field, nothing's a joke to me. I don't feel like I should walk around with a smile on my face.
I've not been a prolific poet, and it always seemed to me to be a bad idea to feel that you had to produce in order to get... credits. Production of a collection of poems every three years or every five years, or whatever, looks good, on paper. But it might not be good; it might be writing on a kind of automatic pilot.
Whenever I run into prejudice. I smile and feel sorry for them, and I say to myself, There's one more argument for birth control.
I'm a romantic, and we romantics are more sensitive to the way people feel. We love more, and we hurt more. When we're hurt, we hurt for a long time.
It's definitely more fun playing a bad guy. It feels a lot better than playing one of the good guys.
My own belief is that most people are trying to do their best. It doesn't mean they have no nasty side, or that they don't have a bad temper, or that they have never done anything they feel ashamed of. But fiction operates on people waking up trying to be horrible, and I don't think most people are trying to be horrible.
I am a big believer in visualization. I run through my races mentally so that I feel even more prepared.
My faith inspires me so much. It is the very reason that I run. I feel that my running is completely a gift from God and it is my responsibility to use it to glorify him.
I don't feel right unless I have a sport to play or at least a way to work up a sweat.
Banning guns addresses a fundamental right of all Americans to feel safe.
I'm just always a bit thrown when, in the immediate aftermath of some event which makes us feel like either God's out to get us or He's not doing His job as well as He can, we all still get together and continue to ask Him for help.
I always feel in improv that nothing is ever as good once it's repeated.
I may be a successful football player, but I feel like such a failure.
You know, everyone is always talking about plastic surgery, or the technology, what to do. I really think it's important to help yourself with the technology if you want to feel better, but I am absolutely against any kind of monstrous cuts of the body, lifting that is beyond recognition, this kind of stuff.
We feel a lot of pressure about looking silly or appearing weak, whatever that means, or being a failure. You have to keep in your head: what's the worst that can happen?
Even though I am a professional, and I know what the steps are, I don't quite know how I'm going to do them, because I haven't lived that moment yet. I always feel very insecure and I get very excited.
You know how you feel somebody looking at you, and you turn, and somebody actually is? It's the same at an art gallery. You're looking at one portrait, turn around, and there is a work of art directly behind you. Because it's all energy. Every single thing has energy.
I feel my fuller-bodied characters are all in the independent films I do, and in the studio productions, I have to work harder to dimensionalize the characters. And that's certainly part of the job description of an actor - that's what you're supposed to do - but you have to work harder at it in the characters that I've encountered in studio films.
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