The trouble with fiction," said John Rivers, "is that it makes too much sense. Reality never makes sense.
Aldous HuxleyRead
Topic
500 quotes
The trouble with fiction," said John Rivers, "is that it makes too much sense. Reality never makes sense.
To come to know that nothing is good, nothing is bad, is a turning point; it is a conversion. You start looking in; the outside reality loses meaning. The social reality is a fiction, a beautiful drama; you can participate in it, but then you don’t take it seriously. It is just a role to be played; play it as beautifully, as efficiently, as possible. But don’t take it seriously, it has nothing of the ultimate in it.
But please remember: this is only a work of fiction. The truth, as always, will be far stranger.
Life is always going to be stranger than fiction, because fiction has to be convincing, and life doesn't.
This is a work of fiction. Still, given an infinite number of possible worlds, it must be true on one of them. And if a story set in an infinite number of possible worlds is true in one of them, then it must be true in all of them. So maybe, it's not as fictional as we think.
There's no real objection to escapism, in the right places... We all want to escape occasionally. But science fiction is often very far from escapism, in fact you might say that science fiction is escape into reality... It's a fiction which does concern itself with real issues: the origin of man; our future. In fact I can't think of any form of literature which is more concerned with real issues, reality.
If this were fiction, could even the most brilliant novelist contrive to make credible so short a period in which pride had been subdued and prejudice overcome?
Fiction doesn’t tell us something we don’t know, it tells us something we know but don’t know that we know.
Science fiction without the science just becomes, you know, sword and sorcery, basically stories about heroism and not much more.
There are people who think that things that happen in fiction do not really happen. These people are wrong.
Memory is fiction. We select the brightest and the darkest, ignoring what we are ashamed of, and so embroider the broad tapestry of our lives.
Success has always been the greatest liar - and the "work" itself is a success; the great statesman, the conqueror, the discoverer is disguised by his creations, often beyond recognition; the "work," whether of the artist or the philosopher, invents the man who has created it, who is supposed to have create it; "great men," as they are venerated, are subsequent pieces of wretched minor fiction
A happy ending was imperative. I shouldn't have bothered to write otherwise. I was determined that in fiction anyway two men should fall in love and remain in it for the ever and ever that fiction allows, and in this sense, Maurice and Alec still roam the greenwood.
When I began to write fiction that I knew would be published as science fiction, [and] part of what I brought to it was the critical knowledge that science fiction was always about the period in which it was written.
I was attracted to science fiction because it was so wide open. I was able to do anything and there were no walls to hem you in and there was no human condition that you were stopped from examining.
Truth is so hard to tell, it sometimes needs fiction to make it plausible.
I remember thinking how easy it is to speak in clichés, to steal a line from pulp fiction and let it fall. We can only hover around the inexpressible with our words anyway, and there is comfort in saying what we have heard before.
India, the new myth--a collective fiction in which anything was possible, a fable rivalled only by the two other mighty fantasies: money and God.
Fiction is life with the dull bits left out.
Life is infinitely stranger than anything which the mind of man could invent.
Memory is like fiction; or else it's fiction that's like memory.
Subscribe for the occasional hand-picked quote. No noise.