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I wasn't thinking about becoming a children's writer. I just have an idea and if it sounds like a kids' book I'll write a kids' book. If it's a film or a play, I'll write that.
The first horror film I remember seeing in the theatre was Halloween and from the first scene when the kid puts on the mask and it is his POV, I was hooked.
I love when you go to a horror film with real horror fans and everybody's there watching, getting involved and screaming. That's when it's most alive and exciting for me.
When I met Bono at the Cannes Film festival while I was there for the film 'United 93,' he said to me, 'That's a great film, brother. Thank you for your courage in making it.' I plotzed.
I love TV, don't get me wrong. But with film, you're just banging out this one product, and you're not waiting on another script. You have your script. It's great in that way. It's as close to theater as you can get.
TV has been very good to me, and I hope I've been good to it, but I also love film.
We had already decided to film in the U.K. before Covid was an issue and stopped foreign travel, so we filmed here through choice not circumstance.
I got a lot of my film education from sneaking into media labs at USC. I probably owe USC a lot of money.
Film is a very specific world in which I don't think you really need to go to film school.
With filmmaking in general, I have never absorbed the traditional knowledge of film history or filmmaking. It has always been just pick up the camera and go figure it out.
Once I got into film, I was never like, 'I want to make comedies.'
And it's just my opinion that I don't think film school is necessary for filmmakers. But I don't want to discourage someone who really wants to learn that way.
My dream was never necessarily comedy. I really wanted to make film or television and was interested in darker stuff over comedy, but I knew I liked dark comedies.
Every 'Star Wars' film was about pushing what was possible in terms of effects, puppets, matte paintings, stop motion and, now, digitally.
Pressure, to me, was creating a 'Star Wars' film, then sitting alone in a theater with George Lucas and showing it to him, the guy that created the word 'Wookiee' and R2-D2. That was pressure.
I internalize everything, keep everything inside. I'm not used to spilling my guts, and when you have to do that on film to make a point, it's hard. It's rough. I don't think it's as easy as people think.
Just getting auditions was rough. But also just learning how to act - when I did my first role, in a film I did which was a favour to a friend, I realised I was really bad at it.
I don't think I've ever done a real mini-series, but I love doing film first and foremost.
I would absolutely love to do another Baz Luhrmann film, especially a 'Moulin Rouge' type picture.
When you're competing against somebody and you don't know that person, you only see what you see on film.
Film can play tricks on your eyes sometimes when you watch it.
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