Explore Quotes on Film

Once the film came out everyone wanted me, including George Michael.

When I started in the business, you did television, and then when you got lucky, you got a prestige project of a film.

There's a lack of diversity amongst executives in the position of greenlighting a film who feel that their stories are being told. If there's a diversity at the executive level, then we'll have diversity of the storytelling process.

What's important with writing is that it comes from a place you absolutely love. I'm writing for film and TV. In America, they call people like me 'multi-hyphenators.'

I think what's different about working on stage is that you have another chance to portray it again. If you don't get something right on film, you can do another take, but on stage, once it's done, it's done. You can't go back.

I'm a character actor but unlike a lot of character actors, I don't look radically different from film to film and there was a bunch of them at once.

I write music for film because I love it.

As a major feature film with Asian Americans in leading roles, 'Crazy Rich Asians' is important. We hope that this movie will be our 'Black Panther,' announcing to Hollywood that we are here, we belong, and we are ready for more.

When I broadcast my first NFL game during the 1989 season, I had absolutely no idea what to study or how to study. NBC provided me with a handful of newspaper articles, we watched some film at the team facility on Friday before the game, and we interviewed some players and coaches.

There's nothing like theater. It's really amazing. But it does take up all of your time. I would like to get into more film, just because I find it super fascinating.

On film and TV sets, they let you sit down. Theater is like pushing a boulder up a hill each night. It's a fun boulder, but it's a boulder.

It's interesting to me because theater is, on any given day, 10,000 times harder than film and television. And that's not to say film or television can't be hard or challenging; it's emotional to do the same thing over and over and over. But in terms of stamina, there is nothing like an eight-show week to separate the men from the boys.

I come from theater, so I'm used to the hierarchy of an actor is just on the ladder, and above that is a director, and above that is a producer, and above that is a writer. But on a television show or film, the whole call sheet thing and being No. 1 on a call sheet, people look to you and almost expect you to exercise this power for good or bad.

I was a poor kid. I grew up watching film and television but primarily television. And I graduated high school, and I knew I wanted to go to college because nobody in my family had. So I was like, 'I'll go and be a theater major.'

My first job was television. I got to where I wanted to go, but through a little bit of a detour. When I first started working in film and television, I hated myself - I didn't like what I was doing at all. All I could think of was, 'I'm overacting. Be smaller.' I started to do that, but that was not fun. I felt confined doing film and TV.

Realism is always subjective in film. There's no such thing as cinema verite. The only true cinema verite would be what Andy Warhol did with his film about the Empire State Building - eight hours or so from one angle, and even then it's not really cinema verite, because you aren't actually there.

As soon as anybody puts anything on film, it automatically has a point of view, and it's somebody else's point of view, and it's impossible for it to be yours.

You would think, in an ideal world, that if you were in a really good film and did a really good job, whether it was a big film or not, you would get hired a lot; but that is not my experience.

Martin Joyce is a beautiful dancer and an amazing choreographer. He choreographed the Mulberry dance film I was in, 'From London with Love.' A truly talented man.

I would do a film, make the money, then take off for six months to Europe, India or Russia. My agent told me that I had to stay in town if I ever wanted to build a career, because everyone forgets about you.

Late night is no different than making a film, really, except that it's faster, and if you do a crap one, you can do a better one tomorrow. Writing a novel and doing stand-up - that stuff is very similar.