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It's not like I wakeup everyday and say, 'You know what, I need to do a horror film.' Statistically it's only like forty percent of my output but it's a great ride and the fan base is really dedicated and that's always cool. When you're lucky enough to be in a good one it's fantastic.

I wish I could do a black and white film.

I did a film in Nairobi, Kenya called 'The Last Elephant,' with John Lithgow, Isabella Rosallini, and James Earl Jones. So I was in seventh heaven, alright? About a year later I get a call from my agent and he says they want to see you for this project called Candyman. I thought he was joking so I hung up.

So I think I'll say the obvious thing: theater is ephemeral. When a production is done, it's gone forever. You can take pictures of it. You can make a film of it. But it's not the production. It's not the same thing.

When I started my filmmaking journey 17 years ago, I honestly didn't know what a documentary film was.

I had the opportunity to go cast for a Hollywood film that was filming in Thailand called 'Mortal Kombat 2.' Out of 100 people, I was cast to be the stunt double for Robin Shou.

As a director, I think it is important to keep a space between yourself and your film. It's like you are in the movie, but at the same time you are watching it from the outside.

My happiness is being able to present my talents for people to see, and I feel like I'm an ambassador of Thai history and Thai culture on film so that people can see Muay Thai.

I was telling somebody just the other day, there's technically such a hierarchy in this business. You have film, that's the ideal; then you have TV, and things like web series do not claim as much cred, but the fact is, if the material is solid and I believe and trust in the team that's involved, I don't care what format it is.

They film 'Midsomer Murders' near our village, so we joke that if ever there was a murder we'd call for DCI Barnaby.

Once a film costs a certain amount of money, things have to round off.

Hollywood and film portray who we are as a people and what we value as a culture.

Lars Von Trier is a genius. Every film he makes is so honest and powerful.

I guess in Australia every film is sort of an indie film because there are no studios.

I really wanna get my paws on scoring a film.

LGBTQIA inclusion in media, especially TV and film, is not just important, it's essential.

'Strictly Business' is about a young black man who is learning about himself, and that applies to a lot of young black men, those who are trying to find jobs. This film gives them a good look at that situation.

Disney was a family film studio. I was supposed to be their young, leading man. After they found out I was involved with someone, that was the end of Disney.

There's a lot that goes into development. Oftentimes people say, well, you have to play them in a game. And you do. But you also have practices, which is where it starts. You have to get that part down first. Then you have to have film study, meetings with your coaches and you also have to have the opportunity to use the G-League.

Both mediums, theatre and film, have really interesting sides to it that I really like to explore.

The system in Germany is different, as you sign up with a company for two or three years, and you work exclusively with them; you can't do any film work on the side.

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