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There's the truth to every moment that you have to bring to every scene, but you have to understand the tonality of the film before you begin, which isn't something that's instinctual to me.
Even though I was concentrating on that two-week period from September 11th to September 20th, I was seeing the policy for real, happening, that we were talking about in the film.
I never wanted to do film. I don't have the right face, and I don't like stardom. I like the fact that I have this wonderful thing that gives you status, but I'm most interested in doing decent work.
Weirdly, it's much easier to write a poem than a film.
If I was asked to do a film that was just trying to sell a political point of view or religious point of view, I wouldn't do that because that's a bad script.
I think 'Deadpool' worked because of what it was. I think 'Deadpool' worked because it was funny. I think 'Deadpool' worked because it didn't take itself seriously. That's why it worked as an R-rated film.
Usually when I see myself in a film or on television, there's about a six-month period where I can't look at it because all I'll see are the mistakes. I'm just appalled by the person that I see.
I didn't dream of being in television or film. But then I got married pretty young and had children, and I wanted to feed the children, so I worked a lot of film and television.
I heard there was a bit of talk that there might be a second 'Wedding Crashers' film. It would certainly get my support.
There tends to be this hierarchy of film and television, and theater is somewhere else in its own milieu. However, as actors, yes, we love to do theater because it's our story. Nobody can edit it, the curtain goes up, and it's ours for two hours or three, or whatever. And we tell it.
At Temple University, and I'm sure this was the way in a lot of film classes, comedy was not an option, and not considered a serious form of expression. You had to make a film about an issue.
Oh, man, you won't hear me talking about the drudgery of making movies. I don't buy any of that. All those guys who made 'The Revenant,' they loved it. They wanted to make a film, and they were the happiest people around to be doing so.
What he's done is recognise the cinematic nature of the book. It's beautifully realised - it's a beat film.
I find myself apologising for not being a proper actor. I never intended to be involved in the film industry and still do feel that, with the exception of a couple of brief skirmishes with the film industry.
This is the launch of the 'Doctor Strange' film interpretation of - in my view - a classic, which has been interpreted many times by other graphic artists, and this is just our graphic interpretation of The Ancient One. I would say the whole approach is about a kind of fluidity.
Even as a child, I would get film offers, and all my friends would tease me saying, 'You will also be an actor like your father,' or 'Don't forget us.' I always took it as a joke, but subconsciously, I felt maybe this was my true calling.
As for Aamir Khan, he keeps raising the standard with every film. For an artist like me or a newcomer like me, we can only look up to that and dream, 'When will that be us someday?' There's so much to learn from him. He is the encyclopedia of acting.
Doors opened for me because of who I am. But the downside is, there is way way too much expectation from me, much more than there would have been if I were from outside the film industry.
I want to better myself with every film. My goal is to be at the highest level someday, and I know I will get there, too. I have strong work ethics.
After my 12th standard, I started preparing for the film industry. I've had no formal acting training.
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