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Independent film is film that has thought in it. There's no independent thought in studio films. It's collective thought.

It doesn't matter how beautifully a film is photographed. The acting tells your story. It's what people relate to. If you don't believe the characters, it doesn't work.

If I were to do a musical, I think I would rather make a film musical.

I was a film major with a concentration in animation.

I started in high school, and in college, I studied radio, TV, and film. The plan was to be a filmmaker, and it was always comedy.

For me, it's just finding ways to create shots. I feel like if I got a shot off, it has a good chance of going in. So it's finding ways of creating different shots. Being smart. I watch film a lot, and different tricks that I can do to get my shot off the ball and creating ways to get shots off of pick-and-rolls or one-on-one situations like that.

Since 'Heroes' started, I've probably had about 15 or 16 film scripts sent to me with Indian characters, and out of those, maybe one was good.

Sometimes you don't want to get married too much to a lot of rehearsing, I feel, when it comes to film, because there's so many technicalities. So if I'm in my head, I've gotten settled on something, I'm gonna have to change it if I get there and something was set that's completely different.

And getting stunt coordinator Dan Bradley and everybody from the whole 'Bourne Supremacy' crew, I think was real cool for our film because we do a bunch of really big jumps in this movie.

There's a lot of us idiot actors that get tattoos and they cover them with makeup when you do a film.

The living experience of film only happens when a film is seen, and only within the spectator, because they project their own fears, desires, and fantasies upon those lights and shadows.

The mystery of film is not in the script. It's in the shooting, in the interacting of humans and space and time.

'Gloria' is a film about a fifty eight-year-old woman who is quite alone in life; however, she is quite optimistic. Nobody has much time for her, and so she regularly goes to these single adults' parties where she is looking for someone. By the end of the film, she doesn't necessarily find love, but she does find something else.

In the case of 'Fantastic Woman,' I wanted to make it a more complex animal than just a 'cause' film. Even though I was sympathizing with the character's struggle, I didn't want to be trapped at that level - it's important, but it can be quite basic.

In order to make a film, you have to operate on many different levels, making all these different forms of expression converse, and so I just followed that intuition.

Film is a game of projections upon projections, and the projected image on the screen is a game of light and shadows. There is nothing there; it is the brain that is decoding those things. The film doesn't have any decipherable kind of meaning if it's not seen.

I was writing when I was very young, and then I became interested in everything - I wanted to do photography. I wanted to act. I wanted to write plays, and then I wanted to film and to paint, but I felt that film had a condition that reunites everything.

When you're filming, you're blind. But if you follow what really moves you, then you operate from a place of hope: maybe that the story you're telling will resonate with whatever the world will have become when the film is ready to be born.

I had the idea that I'm going to make a trans-genre film about a transgender woman.

I photographed with film for many years; now that I work in digital, the difference is enormous. The quality is unbelievable: I don't use flash, and with digital I can even work in very bad light. Also, it's a relief not to lose photographs to x-ray machines in airports.

When you act in a film, you're inevitably surrounded by people you didn't choose, right down to the set painter. I like being able to pick the family I'm waking up to in the morning that's going to make this group effort to tell a story that applies to what's interesting to me at that stage in my life.

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