Explore Quotes on Film

Unlike regular digital or film cameras, which can only record a scene in two dimensions, light field cameras capture all of the light rays traveling in every direction through a scene. This means that some aspects of a picture can be manipulated after the fact.

Camera 1.0 was film. Camera 2.0 was digital. 3.0 is a light-field camera that opens all these new possibilities for your picture taking.

'Sound of My Voice' is an amazing film. Small, simple, yet incredibly thought provoking.

Audience will receive any film if it is made well.

Being present among some of the stalwarts of the Hindi film industry isn't something we all get to be a part of everyday.

When I was 13, I did my first film, 'Kanda Naal Mudhal,' and the second, 'Azhagiya Asura,' at 16.

I'd like to take my time to decide on a film before giving the nod.

When I was in college I was offered Kannada film 'Suryakaanti' and I took it up. That's when I realised that I could not balance both acting and education. I gave up films to complete my graduation.

People keep asking me why I took so much time to sign my second film after 'SMS.' I keep telling them that I don't want to go on a signing spree.

My approach to films is very different. I'll do a film only if I like it. If it doesn't work, I can always work as a psychologist.

I can't accept every film that is offered to me. Not all of them interest me.

I think that one of my favorite movie roles has been a film that I did with Jason Statham that was out last year called 'Safe.' I played the main bad guy in that.

I was in film school as an undergrad with a focus on directing. Once I started working on shoots, I realized, 'Oh, I really like this cinematography thing.'

Whenever a woman wields a gun in a film, it ends up looking like they're trying to be sexy rather than they actually know what they're doing.

I actually carried a Panavision Platinum and a G2 when I was seven months pregnant for a film called 'Little Birds,' and the whole movie was handheld. And we were shooting in the desert. That's a 35-millimeter camera. It's huge, probably at least 50, 55 pounds, and I did all my own operating.

I try to shoot film wherever possible. There's nothing like it.

A lot of TV and film commits to one tone.

Most of the people I know in the film business here in New York, the moms and the dads, just take different turns working. So everybody's a working parent, and nobody bats an eyelash at it.

When it was time to go to college, I was going to apply to Boston University for journalism, and dad said, 'Why not apply to NYU film school, because you love telling stories and taking pictures?' And I thought, 'Oh, I can do that for a job? Cool!'

The first director who ever allowed me to shoot a film for him was a male. He was a gay male. My first feature also came from him. I worked for a lot of dudes at NYU.

When I was an undergraduate in Film & TV at NYU/Tisch School of the Arts, most of the projects I shot had male directors, and only a few had female directors.