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I am a huge fan of Superstar Rajinikanth. It is he who introduced me to this film industry. And I first saw my Raghavendra Swamy in him.

In this age of smartphones, all one needs to do is make a good film. The audience will take care of the rest.

'MSKS' is a commercial film with all the usual formula. But, as with my earlier films, there will be a strong social message.

As a director, everyone has their dream and they want to approach their film a certain way.

Any actor will want his 100th film to be a commercial film, the biggest movie of his career.

By God's grace, it was turning out to be a cracker of a film, so we named it 'Laxmmi Bomb.' Like a dhamaka of Laxmmi Bomb cannot be missed, the transgender lead character is powerful and radiant. Hence the name fits perfectly.

When you do a film, you get picked up in a car, lunch is free. Theatre is really hard, and you get absolutely no money.

As an actor, you try and be cool, but one of the reasons you become an actor is because you're a film fan. And then you're like, 'Oh my God, Ridley Scott just spoke to me!'

I want to improve with every film, including being better groomed.

I like to do one film at a time. But sometimes, when projects get delayed for reasons beyond my control, I juggle more than one.

'Gaana Bajana' gave me an opportunity to experiment with my looks. I played a tomboy in that film, a role that I hadn't essayed before. I have no regrets for having done the film.

Yes, I faced camera for the first time for '18th Cross.' It was a great experience for me to be part of a film after working in some television serials.

'Alemaari' is an experimental cinema of sorts. If audiences don't understand it, the film will fall flat.

'Hudugaru' is a remake of the Tamil film 'Nadodigal.' The film is about what happens when relationships between friends or lovers is taken casually. The film will appeal to youngsters and families alike.

People like movies made by the Ramu Enterprises banner because they get to see a film with rich production values.

I've always striven to ensure that I work on one film at a time.

It doesn't matter if I have experienced actors alongside or novices. It doesn't matter if the director is one film old or a hundred. All I'm interested in is doing justice to the role.

Yeah I think Pitch Black was edgy, I think that's what worked for our film.

So I was in America and I thought I'll stick around while I'm here and just see what happens. The next film I did was High Art, so I guess it started with a sort of vague idea but really just a fantasy.

For me, film is an extremely powerful way of conveying a message to a mainstream audience.

I love stories with love in them. I just prefer those films. Every so often, I come across a film where there's no love story. It doesn't have to be romantic, but there's a lack of love, and I don't get that.

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