One might say that the novel is the genre that most predisposes one to a profound insight into the tremendous life around us, instead of putting forward one's own tiny ego as the centre of the universe.
Mikhail SholokhovRead
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One might say that the novel is the genre that most predisposes one to a profound insight into the tremendous life around us, instead of putting forward one's own tiny ego as the centre of the universe.
What's so exciting and unstoppable about the horror genre is that I view it all as metaphorical exploration. It's the safe place that we, as a culture, can deal with things that upset and frighten us - the darker side of our nature.
When I was writing for children, I was writing genre fiction. It was like making a good chair. However beautiful it looked, it needed four legs of the same length, it had to be the right height and it had to be comfortable.
Being black, Latino, or Asian is not a genre. Romantic comedies, thrillers, action - those are genres. I think there's a lot of people who want to have the conversation. I don't think people are afraid of it, I just think it's the time to have that conversation. Race is not a genre.
People respond to something which intrigues them instead of something that gives them all the information - particularly in pop, which is, like, the genre for knowing way too much about everyone and everything.
I'm glad I'm a woman; I'm glad I'm a rapper because I get to speak to these people who did not get spoken for in this genre.
With a genre like film noir, everyone has these assumptions and expectations. And once all of those things are in place, that's when you can really start to twist it about and mess around with it.
I think that's what good writing is all about. You go into a genre to talk about other things. Tolkein created a whole world to talk about the world he lived in.
My experience of life is that it is not divided up into genres; it’s a horrifying, romantic, tragic, comical, science-fiction cowboy detective novel. You know, with a bit of pornography if you're lucky.
I would give them (aspiring writers) the oldest advice in the craft: Read and write. Read a lot. Read new authors and established ones, read people whose work is in the same vein as yours and those whose genre is totally different. You've heard of chain-smokers. Writers, especially beginners, need to be chain-readers. And lastly, write every day. Write about things that get under your skin and keep you up at night.
Genres aren't closed boxes. Stuff flows back and forth across the borders all the time.
I hope that I can make good music out of whatever genre I go into. Just to prove to myself that I can.
I like the idea of an eclectic approach, incorporating jazz with other forms and other genres of music.
For me, genres are a way for people to easily categorize music. But it doesn't have to define you. It doesn't have to limit you.
But when I hear a great song, I can't help but be inspired by it, regardless of whatever genre that song falls under.
As a rule, I don't worry about genre. I just want to tell a good story, with characters that interest me and my readers.
'Drown' was always a hybrid book. It's connected stories - partially a story collection but partially a novel. I always wanted the reader to decide which genre they thought the book belonged to more - story, novel, neither, both.
In his essay on the uncanny, Das Unheimliche, Freud said that the uncanny is the only feeling which is more powerfully experienced in art than in life. If the horror genre required any justification, I should think this alone would serve as its credentials.
A snappy label and a manifesto would have been two of the very last things on my own career want list. That label enabled mainstream science fiction to safely assimilate our dissident influence, such as it was. Cyberpunk could then be embraced and given prizes and patted on the head, and genre science fiction could continue unchanged.
The great thing about the arts, and especially popular music, is that it really does cut across genres and races and classes.
The distinction between literary and genre fiction is stupid and pernicious. It dates back to a feud between Robert Louis Stevenson and Henry James. James won, and it split literature into two streams. But it's a totally false dichotomy.
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