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Apart from anything else, I got to work with Jennifer Lawrence. She’s a lovely girl. I know people often say things like that in interviews, but she really is. While she may be young, she doesn’t feel at all precocious. Instead, she’s smart and funny and terrific at connecting with people. She just blew me away.
It's not like I cleaned up with girls. I always looked young and I was very small; I hated being 'cute.'
Girls my age dress so much raunchier than I'd ever imagine myself dressing. I understand that I'm a role model, though, and I have to look out for that. I have a 10-year-old sister, too. But you also want to be appealing to guys and stuff, that's just something girls feel. It's hard. You want to be that girl that's unattainable to all the guys because there are so many other girls out there that are like that.
When Veronica Mars was canceled, the following season of pilots for The CW had been announced, and one was Gossip Girl. I read it, and I knew I was sort of old to play any of the kids. I called Dawn Ostroff -- who was the head of The CW at the time -- and said, 'Hey, I did so much narration on Veronica Mars, can I narrate this show? And she said, 'Hey, that's a very good idea.' They knew I had a younger voice, they liked me and they knew I'd show up for work, and I guess that was all I really needed. It was so clear to me how sassy and catty she needed to be.
I was the music dude that was naked all the time with the girls, and that's fine, no problem with that.
It's kind of cool—and it makes me feel like a badass. I get more girls than my boyfriend. They always tweet me about my booty.
It's not like I've ever been the popular pretty girl at school or anything. I was always such a weirdo.
I called my mom, and I was so excited. I was telling her, 'I'm going to be on the Grand Ole Opry! This is crazy!' And she told me, 'Watch out for Jimmy Dickens, because he likes the pretty girls.
I want a future where women and girls get to be the subject of their own sexuality, not the object of somebody else’s. That we are the main characters in our own play, not props in somebody else’s—which is how women’s sexuality is treated now. Whatever the outside attitudes about sexuality it’s always about somebody’s agenda for us, and I want a world where we can have our own.
Those who are so eager for women and girls to go back to the kitchen might think again about just what it is we might be up to in there. You can plan a lot of damage from a kitchen. It’s also where the knives are kept.
Before Girls on Ice, mountains were just mountains. Valleys were just valleys. Now when I see them they're full of questions and stories. Girls on Ice encouraged a new kind of curiosity in me about things I would have thought boring before. Now I'm considering to pursue Geology after high school. Girls on Ice opened a door to new thoughts and interests for me to consider for my future.
When a girl holds a rose up to you, you run better, let me tell you.
Beautiful and fresh, Girl Saves Boy is full of the absolute truth-life is complicated. I could not put it down.
Boys, boys, boys. Boys buy the little spinny tops, they but the action figures, girls buy princesses, we're not selling princesses.
As a model, I didn't have an identity; I was a chameleon, a silent actress. I was an amorphous thing. I wasn't full of personality, I was full of solitude and solemnity. I wasn't a cover-girl type.
When women are able to live in a safe and secure environment, they can participate effectively in the economy and society. This helps overcome poverty, reduces inequalities and is beneficial for children's nutrition, health and school attendance. Every woman and girl has the right to live in safety in her home and community.
I’m convinced that a world in which girls are educated is a safer, more stable, more prosperous place.
My dream is to see every girl educated, in every country.
A toddling little girl is a centre of common feeling which makes the most dissimilar people understand each other.
For every woman and girl violently attacked, we reduce our humanity. For every woman forced into unprotected sex because men demand this, we destroy dignity and pride. Every woman who has to sell her life for sex we condemn to a lifetime in prison. For every moment we remain silent, we conspire against our women. For every woman infected by HIV, we destroy a generation.
Having a boy play a girl (and when I say 'play a girl' I don't mean that he is represented as a girl, because he is represented as a young man) is complicated. He knows he's looking at photographs of a girl and copying those poses. So the audience sees him as a man, but he can only see himself as a woman, because that's the model he's looking at. It was a really interesting exchange.
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