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I've been a teenage girl, too, so I've had my own insecurities and my own struggles that I've got through.

Growing up, I was definitely a tomboy, an overall-and-Converse type of girl, and I still am, but for events, I love dressing up.

I would always worry that I was only going to play the girl next door or the cute girlfriend. But I've been really lucky that all my roles have been very intense and completely different kinds of characters.

Serena and Blair from 'Gossip Girl' got to wear such awesome outfits, and being on a show like that, where you're getting to wear incredible designers all the time, would be a lot of fun.

I love 'Gone Girl,' so bringing 'Sharp Objects' to life, that was amazing.

There's a picture of me as a little girl, and I'm waiting to go onstage, and I am biting the last bit of nail I have left on my finger.

There's a shift and a change in how we've matured to becoming adults. 'Elevator Girl' represents our maturity.

As a student, I was a total jhalli who used to wear torn denims, faded kurtis, kohled eyes and thought that I was the coolest girl ever! We were a bunch of students who used to do social-issue-based street plays and believed that we could bring about a change in the world.

I'm a typical Delhi girl. Professional parents, nuclear family. My father was in the navy. I've spent my whole life in government accommodation, and it's been lovely.

I didn't think I was going to change the world for women; I just did what I did. My big thing was that I didn't change who and what I was to become successful. I will not be told what to do; I'm a real independent girl.

As Mick Jagger will tell you, performing is an aerobic work-out. I've got the bass guitar, which is the heaviest of all the instruments, and I'm a little girl, in boiling-hot leather under the lights. You have to keep the fitness level up if you want to look good up there.

I'm extremely straightforward. And I can't do that sort of traditional girl thing of saying one thing that actually means something else. I never understood it, and I still don't understand it.

I am a Tintin girl and grew up on Archie comics. Then I was introduced to Mr. Bean.

After one hundred days of confinement following a bone marrow transplant, I rejoiced in taking short walks to a nearby park as I was writing 'Girl in Hyacinth Blue.' The uncertainty of my survival made every blade of grass gorgeous in its green intensity, lifting itself up, doing its part to make the world beautiful.

I've been obsessed with words since I was a little girl, and I am fortunate that each week as resident word expert on 'Countdown' I am ideally placed to quiz my guests in dictionary corner about the words and phrases they use.

My writing partner, Joni Lefkowitz, and I love studying girl friendships in particular because they seem defined by a combination of codependent intimacy and subtle, constant passive-aggressiveness.

As a girl, I sat awestruck at the feet of Harriet Ne, author of 'Tales of Molokai'. It was she who used to say, 'I myself have seen it,' after telling a particularly hair-raising ghost story - a phrase that I borrowed for one of my titles.

Growing up, I never imagined a girl from a border town could one day become a governor.

I was a shy little girl. Growing up, I was often content being alone in my room, making up stories, and acting out all the parts. I became so good at it that, with the door closed, my parents thought I had friends over.

I was taught to whistle as a little girl by an undertaker. I used to sit in his workshop, watching him planing wood for the coffins, and he used to whistle all the time - and eventually I started whistling, too. I can whistle anything, particularly trumpet tunes from Classic FM.

I will go for a simple girl who's completely in tune with me and who gets along with my family.

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