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There were times I used to go to parties when I was, you know, like 15-, 16-years-old, and I'd always bring my guitar, and all my friends would be like, sing one of the Smokey songs. And everything I sang was his music, and I could sound just like him.
I don't like guitar solos that are like, 'Look at me, look at me!' I like guitar solos that are little songs within the songs.
I was learning guitar as the band was beginning, at least in terms of being a lead guitar player. I could write songs, but I couldn't really play solos.
Slash is one of the greatest guitar players I've ever heard, and it's amazing when you hear about all the crazy stuff he's done.
Well, I think at first, songs were sort of the vehicle which allowed me to be on the stage and get to hold a guitar and get to sing.
I kind of just got right into playing music because I could kind of stop thinking when I was concentrating on playing the guitar.
There's no continuity in videos... you can jump around all over the place. In features, you can't throw in a close-up of a musician stomping on a guitar - you have to film a scene.
The thing about me is that I'm very fortunate to have had the opportunities with Avenged Sevenfold in songwriting. I really think it's helped to bolster my guitar playing as well.
We're very much perfectionists, so when we're putting on a huge show and want to play to the best of ability, we rehearse intensely. And I have a guitar pretty much in my hand for at least five hours before doing a show. I'm just noodling and mucking around and working on some of the songs here and there.
Just based on the primary adage of the necessity breeding innovation, it was just like 'Well, what makes me the guitar player that I am?' and I feel like I listen to so much different music, and I'm a student of so many genres of music, and I feel like it's fun to apply those things and anything super applicable to any type of music.
I got my first real bass guitar in my hands when I was 14 - a 1957 Fender Precision, which is still hanging on the wall in my front room. I loved the heaviness of it and the feel of the wood. I still do.
The bass should be the note of the bass drum, and then you've got the engine of the band that everything else builds on. Everything else, the guitar, the keyboards, is a colour.
Bass guitar is the engine of the band.
Music has always been in my family, but it was mainly keyboards. I learned to play classical piano, but when I first heard the amazing bass guitar of James Jamerson, who played on all the big Motown hits of the '60s and '70s, I knew bass guitar was my instrument.
As Mick Jagger will tell you, performing is an aerobic work-out. I've got the bass guitar, which is the heaviest of all the instruments, and I'm a little girl, in boiling-hot leather under the lights. You have to keep the fitness level up if you want to look good up there.
Hendrix was a perfect guitarist. And that's all I wanted to do as a kid. Play a guitar properly and jump around.
If you're lucky enough to have a guitar player like Derek in your band, you have to give him time to shine, and I love to watch him play as much as anyone in the audience. But I do still get to play solos, and we often do a call-and-response sort of thing where we get to take solos together, and we'll just build it up from there.
When I was in college, I didn't know a lot of female guitar players. It was Bonnie Raitt, Joni Mitchell, Lita Ford, Joan Jett. Those were the only four women I could name.
Well, honestly, Derek - to me, there is no other guitar player out there like him.
The people I liked all told a story playing guitar. There are a lot of flashy guys out there I didn't like. Whereas someone like B.B. King could play one note and make people feel it - that's way deeper.
When you're in the Allman Brothers, you would think you'd be able to play freely on guitar.
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