Each moment is defined by a multitude of histories, the past constantly converging upon us, perpetually decaying and reforming itself on the steady pulse of now, now, now, now.
Dee ReesRead
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Each moment is defined by a multitude of histories, the past constantly converging upon us, perpetually decaying and reforming itself on the steady pulse of now, now, now, now.
Sometimes what we call tragedy, at least in the theater, are really case histories. They're based on the central figure, and things happen to that person, and they're called tragedy because they're extremely sad. But tragedy always has a glorious thing happen at the end of it. That's what the catharsis is.
I've had the most untraumatic life a human being can have. But I've always been drawn to those who have had far more complicated histories.
I tend to believe that film can try to save what still can be saved, in terms of our histories, our memories. Because a lot of things are disappearing very quickly, things are changing. We are living in very quick times, and we have a new generation who basically know nothing about events 30 years ago.
All national histories are partisan and designed to give us a good conceit of ourselves.
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