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New York is the only city that I have ever lived in that I have felt at home.
If you go back to your home town or you're reunited with school friends, its always slightly bittersweet because as much as there's nice things in terms of seeing them again, the town has changed without you, and you're no longer a part of it.
I have only one body, which is the home of my spirit; therefore, I cherish my body.
People think racist abuse stops on the football pitch, but that's just the beginning. When you go home, you are still confronted with it. Football is just a magnifying glass of the real world.
I was a latchkey kid. Every afternoon, I would walk home from school, let myself in, make myself a banana buttie, and watch telly until Mum came home.
We were not rich by any means. My dad was a plasterer and worked long hours - I hardly ever saw him when I was growing up. He had always gone to work before I woke up, and usually, I would be in bed before he came home.
The search for a Jewish national home came about due to centuries of anti-Semitic pogroms, expulsions, discrimination and hate. The Holocaust was simply the evil culmination of all that came before it.
Jewish sovereignty and governance over our ancestral home are, I believe, important goals that every Jew ought to support.
I am through with baseball forever. I have my farm and my home and enough to take care of me, so why should I work and worry any longer?
The fact that I have to set things to record seems idiotic. And channel guides - I get home, and I want to watch a Duke basketball game; why do I have to go hunting to find out what channel it's on? Why can't I just say, 'I want to watch Duke basketball.' Or, even better, why doesn't the system know that?
But once you've made a song and you put it out there, you don't own it anymore. The public own it. It's their song. It might be their song that they wake up to, or their song they have a shower to, or their song that they drive home to or their song they cry to, scream to, have babies to, have weddings to - like, it isn't your song anymore.
My parents worked in the art world. They were really supportive of my music in that they allowed me to drop out of school and move out of our home, which not many parents would do.
I'd like to say that I'm a rock star, but I'm not - I'm honestly more of a relationship kind of guy. I'm a guy you could take home to meet your mum rather than a guy your mum wouldn't like.
I don't really get to go out a lot because when I'm home from the road, I am home. I do not want to move from my couch.
Home court changes everything. If you have home court, you're expected to win.
And, you know, you try and preach to them there's more to this game than just walking up to home plate, swinging the bat, fielding a ground ball. There's some dedication in it, some love you've got to put into this work.
It makes you feel at home when you can talk to somebody and really talk about anything.
I leave my house all the time! But I'm not at all the Hollywood parties. I'm grown, and where else am I supposed to be? I'm supposed to be home.
My dad would leave at 4 or 5 in the morning and then I wouldn't see him until evening. The conversations we used to have, he would tell me, 'A man takes care of his home first. A man handles his responsibility. He doesn't ask another man for anything.'
Britain needs a diverse energy mix - home grown renewables, new nuclear, a switch from dirty coal to cleaner gas, and, when the technology is ready, carbon capture and storage. Diversity will keep the lights on and ensure we go green at the lowest possible cost.
I never really grasped how big it was when I initially got 'Alexander'; I thought, 'Ooh, this is exciting,' but after I got home, I looked back and thought, 'That was an incredible experience.' I got to work with some massive names in Hollywood, and I learnt so much, and then it really kind of struck me how life-changing it was.
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