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If I walk into the editing room, it's six hours lost. I'm massaging frames. I'm, like, 'Oh, take six frames off that shot. Hit the music cue right there.' I will drive everybody crazy if left to my own devices in that room. So I try to do everything I can by staying out of the way.

I trained 8 hours a day 7 seven days a week and I had 2 weeks off in a year.

Playing a show is a monumental hassle. You've got to schlep all your heavy equipment into the van, then you've got to drive for five hours, then you have to schlep all the heavy equipment out of the van, onto the stage, set it up, do the sound check, hang around for three hours, then play the show, which is incredibly draining.

Elaine is just in pain. I think Elaine has become very, very sad woman. She is someone who is in deep need of many hours of analysis and I like to think that I'm not that type of person.

During the period of house arrest, I had an electronic manacle around my leg for 24 hours a day, and for someone who has tried to give others liberty all their adult life, that is absolutely intolerable.

I do love all types of music. I could be in a session for eight hours, and when I leave, I'll instinctively go to the radio or put on my favourite songs.

Well, you can't be depressed and sad 24 hours a day.

I'm not a believer that you have to write every day. If I felt industrious, I'd spend ten hours a week writing. The writing is going on all the time in my head; the trick is to capture it. Showers are great. Traffic jams are great.

It's tough enough handling the teen years in private without all the pressures of work and long hours on the set.

My desire for my own sitcom began as a little girl - I spent hours lying on my belly on the shag carpeting getting lost in the world of the '70s sitcom. All I wanted to do was run away to the Brady house, The Partridge Family bus; even the project on 'Good Times' seemed better than Clark, NJ.

We realized quickly that wages are only one part of it, that what also matters are the schedules we give people, the hours that they work, the training we give them, the opportunities you provide them. What you've got to do is not just fix one part, but get all of these things moving together.

Competitions last about 10 days or two weeks. I was homeschooled, so in this way I could train on a daily basis for many hours. And then I was traveling all over the world.

I have to do two or three hours of treatments every day just to be able to step onto a tennis court.

When you don't have that confidence to play three, four hours with a good backhand against Rafa, is just matter of time to get down your game.

At noon I get to the gym to do my boxing workout. Three hours there. Rest. Once in a while I get a massage, because I need it once in while.

I've given myself 18 to 24 months for Haiti to have electricity 24 hours around the clock.

You spend 8-10 hours a day, 5 days a week at work. That adds up! You probably spend more time with your coworkers than with anyone else in your life. Are you passionate about your job and do you love the people you work with? If not, chances are that takes a toll on your health.

Since children spend many of their waking hours at school, eating up to two meals a day there, we need to place a special focus on school food and nutrition.

I wrote 'Sophie's World' in three months, but I was only writing and sleeping. I work for 14 hours a day when I'm working on a book.

We ended up with 19 hours of footage and had to narrow it down to an hour and a half. Our instructions were to film everything that came up, including the more mundane moments.

Our culture constantly inundates us with new information, and yet our brains capture so little of it. I can spend half a dozen hours reading a book and then have only a foggy notion of what it was about.

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