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It is my privilege to have introduced House Resolution 1612 honoring the Constitution of the United States, and the freedoms and rights it has given to every American.
I will seek the presidency with nothing to fall back on but the judgment of the people of the United States, and nowhere to go but the White House or home.
When the kids were growing up, we didn't have a television in the house connected to a cable or an antenna. If something bad happened in the world, I wanted the kids to hear about it from me.
We are called to care for those sickened by pollution, house those displaced by environmental calamities, and heal the spirits of those - especially our youth - who are disheartened by a world where human survival is now in question.
I've already composed and written a letter to the House administration telling them to withhold my paycheck in the event of a lapse of appropriations.
I think there's no problem getting through the House a pathway to legal status. A pathway to citizenship is going to be tougher, but I think it is potentially doable, if we can show the American people that the border is secure.
It was my privilege to serve with Paul Ryan in the House and on the Ways and Means Committee. Ryan's vast experience and bold, reform-minded ideas were always evident. His knowledge of the federal budget is widely recognized.
I bought my parents a house. Then I bought myself a Rolex. My brother forced me to do it, but I'm glad he did.
The most profound memory I have from my childhood is burning down my house at 6 years old.
My favorite thing about Los Angeles is there are businesses that you can call, and they will deliver groceries to your house.
As a country singer, there is only one place you dream of playing in your lifetime, and that is the Grand Ole Opry House.
It is said that anyone who does commercial cinema is not acting, and anyone who does an art film is acting. I don't believe it. I feel whenever you are doing a film, you are acting. So you need to be applauded for that. I won't do art house cinemas. I want to make commercial films. I want my films to make money.
House is a big part of the rhythm in Chicago. I don't care if you're the most hood gangbanger - you understand house.
The first time I met Ray, I was going to school around the corner from his house. One day, he was playing the piano. I eased up on the porch to listen to him.
I get double-takes at the hardware store. I've had people say, 'I didn't know you did this.' With a celebrity, if folks don't see you, they think all you do is stay in the house.
There's a big gap between 'Click the link to send an e-mail to your congressman' and 'Chain yourself to the White House.'
I think of film when I paint. Even the luminosity that I always keep working for is really about film. But my idea is not to paint paintings that will decorate somebody's house.
I've known Kareem since I was kid. He lived in Manhattan, but my best friend used to go to high school with him, and he was in my house the day I graduated from high school in 1965.
When I was growing up in the house, we'd watch the Oscars.
Mom was so funny and loving to us kids. She was our first audience. When my dad died, I was suddenly alone in the house with her because my two older brothers were away at college. I was the man of the house, and she was the grieving woman.
Of course my uncle was a giant, but my dad, in particular, had the house filled with these great Dixieland jazz stars, really the best of them: Henry Red Allen, Willie 'The Lion' Smith, Buster Bailey, Cutty Cutshall, Tyree Glenn, Zutty Singleton. These are all big names in the Dixieland world.
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