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I can't promise you forever, because that's not long enough.
The thing I like about my body is that it's strong. I can move furniture around my apartment. I can ride my horse... I can play basketball. It's a well functioning machine.
...I always feel it's necessary to look at my images from two distances. Here is my criterion: If I can look at it from a distance and then come up close but find nothing more to see, it's printed too large. It's not giving me any new information when I come up to it.
The list of photographs that I am missing while I sit on airport runways, teach classes or spend hours in the studio makes my head spin. It's almost as if I can actually sense all the great pictures that I'm missing at a given moment. It's times like those that remind me to be very productive when I do get behind-the-camera time.
I love inspiring people, and if I can make a difference in one person's life, then that's success for me!
There are many different types of kisses. There's a passionate kiss of farewell - like the kind Rhett gave Scarlett when he went off to war. The kiss of I-can't-really-be-with-you-but-I-want-to-be - like with Superman and Lois Lane. There's the first kiss - one that is gentle and hesitant, warm and vulnerable. And then there's the kiss of possession - which was how Ren kissed me now.
All I really want to do is just keep acting, and some of it will stink, and some of it will be really good, and maybe when I'm 85 and presenting an Oscar like Bette Davis did, I can look back and say, 'It was okay, I did all right.'
An actress can only play a woman. I'm an actor, I can play anything.
l can do very well without God both in my life and in my painting, but l cannot, ill as I am, do without something which is greater than l, which is my life — the power to create.
I can tell you, honest friend, what to believe: believe life; it teaches better that book or orator.
I think I can only help to expose percussion to all sorts of people. The balance between the lighter and more serious side is important.
I often play on the cello-bass side of the orchestra, because I prefer the deep sounds. I can't hear the violins well.
The older I get, the more I believe in what I can't explain or understand, even more than the things that are explainable and understandable.
I really don't think life is about the I-could-have-beens. Life is only about the I-tried-to-do. I don't mind the failure but I can't imagine that I'd forgive myself if I didn't try.
There are times when the only access I have to the truest person that I am is when I'm alone and trying to solve a sentence. It's exciting, even when it's frustrating, even when I can't do it right.
As somebody who, in my second marriage, insisted on a prenuptial agreement, I can also testify that sometimes it is an act of love to chart the exit strategy before you enter the union, in order to make sure that not only you, but your partner as well, knows that there will be no World War III should hearts and minds, for any sad reason, change.
I love my friends and family, but I also love it when they can't find me and I can spend all day reading or walking all alone, in silence, eight thousand miles away from everyone. All alone and unreachable in a foreign country is one my most favorite possible things to be.
As a footballer I can't imagine life without the use of one of my legs... Sadly this is exactly what happens to thousands of children every year when they accidentally step on a landmine.
I can't do fiction unless I visualize what's going on. When I began to write science fiction, one of the things I found lacking in it was visual specificity. It seemed there was a lot of lazy imagining, a lot of shorthand.
I can't imagine writing a book without some strong female characters, unless that was a demand of the setting.
I don't like lifts and will walk up 20 flights of stairs if I have to. Crowded rooms make me uncomfortable, too, although I can sing to a stadium full of thousands of people no bother.
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