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There are 9 rejected ideas for every idea that works.
The crucial thing is to find a truth which is truth for me, to find the idea for which I am willing to live and die.
The best ideas start as conversations.
This kind of inequality - a level that we haven’t seen since the Great Depression - hurts us all. When middle-class families can no longer afford to buy the goods and services that businesses are selling...it drags down the entire economy from top to bottom. America was built on the idea of broad-based prosperity... That’s why a CEO like Henry Ford made it his mission to pay his workers enough so that they could buy the cars he made. It’s also why a recent study showed that countries with less inequality tend to have stronger and steadier economic growth over the long run.
If you disagree with them you may be tempted to interrupt. But don't. It is dangerous. They won't pay attention to you while they still have a lot of ideas of their own crying for expression. So listen patiently and with an open mind.
Forget being the best of anything. That's the fruit of the action, and you do the work -they say- for the doing, not the fruit. You can never really know how it's gonna turn out in the world but you know if you enjoy doing it. And ideas start flowing and you start getting, you know, excited about stuff. Then you're having a great time in the doing and that's what it's all about. If you don't enjoy the doing, then do something else.
The idea is that if we can put our own people through something almost as bad as what they might have to go through if they were taken captive, they will inoculate themselves.
Only those ideas that are least truly ours can be adequately expressed in words.
A bad earthquake at once destroys the oldest associations: the world, the very emblem of all that is solid, has moved beneath our feet like a crust over a fluid; one second of time has conveyed to the mind a strange idea of insecurity, which hours of reflection would never have created.
I want to make clear only that words are not the things spoken about, and that there is no such thing as an object in absolute isolation.
I'm just interested in meditating on certain ideas, and I like to draw: that's my way of thinking.
It is important to expose yourself to ideas you don't agree with from time to time. Attend a political rally of a party you do not like.
Take the year a country first reaches 50% literacy and add one or two generations to allow the idea to sink in and, democracy, more or less automatically, appears.
When I started out playing chess as a kid I thought I should be world champion. As a kid you have no idea what that means and you only sort of picture it. It is hard to imagine that I waited all those years and it happened in a late stage of my career.
[A comic book writers' union] will never happen. Someone will always be willing to write Batman for free. ... You sit at a bar with an editor at a show and you see 19 people come up and pitch ideas at them. If everybody writing the top 20 books all quit and demanded, 'Union now, union forever,' those 19 guys would be getting phone calls. There will never be a union. I think things are getting better - I bet things have never been so good - but there will never be a union.
There was a sort of irony in the fact that these [superhero] characters - many of whom in that period, the Golden Age, had been evolved to fight the Nazis - were themselves very much in the Nazi ideal. The idea that you can solve problems through physical strength, by being stronger and more dominant and more powerful - that is fascism. I mean, that's it, that's the essence of fascism. I don't think the creators of the superheroes or the kids who were reading them at the time were the slightest bit aware of it.
After ten years of toiling away in Hollywood, I realized that there's no better place for new ideas than comics.
Sometimes the best ideas I have are in my bathtub or in my bed or in my dreams early in the morning before waking up ... I'm like a TV antennae, I catch it all and do it my way.
I like the idea of craziness with discipline.
There's very little to be said for learning a piece note by note, reading the rhythmic markings, practising the fingerings and following your instructor's suggestions, if you haven't any idea how the music will eventually sound and feel. If you learn a piece mechanically, you may have to 'unlearn' it before you can play it with expression and feeling.
Practice can be stated very simply. It is moving from a life of hurting myself and others to a life of not hurting myself and others. That seems so simple-except when we substitute for real practice some idea that we should be different or better than we are, or that our lives should be different from the way they are. When we substitute our ideas about what should be (such notions as "I should not be angry or confused or unwilling") for our life as it truly is, then we're off base and our practice is barren.
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