Quotes on Ifs

It's just because I love the past that I want this house to look back on its glamourous moment of youth and beauty, and I want its stairs to creak as if to the footsteps of women with hoop skirts and men in boots and spurs. But they've made it into a blondined, rouged-up old woman of sixty.

Our chronic discomfort with ambiguity - which, ironically, is critical to both our creativity and the richness of our lives - leads us to lock down safe, comfortable, familiar interpretations, even if they are only partial representations of or fully disconnected from reality.

The church must be reminded that it is not the master or the servant of the state, but rather the conscience of the state. It must be the guide and the critic of the state, and never its tool. If the church does not recapture its prophetic zeal, it will become an irrelevant social club without moral or spiritual authority.

If there is a magic in story writing, and I am convinced that there is, no one has ever been able to reduce it to a recipe that can be passed from one person to another. The formula seems to lie solely in the aching urge of the writer to convey something he feels important to the reader. If the writer has that urge, he may sometimes but by no means always find the way to do it.

Journalism is just a gun. It’s only got one bullet in it, but if you aim right, that’s all you need. Aim it right, and you can blow a kneecap off the world.

There is no easy way out. If there were, I would have bought it. And believe me, it would be one of my favorite things!

Composing a concert is like composing a menu.... If you start with light pieces and play a 45-minute sonata after the interlude, it's like starting dinner with hors d'oeuvres and dessert and finishing with a Châteaubriand and vegetables.

There seemed to be some heavenly support beneath his shoulder blades that lifted his feet from the ground in ecstatic suspension, as if he secretly enjoyed the ability to fly but was walking as a compromise to convention.

And, Joey, if you ever want to know about the japonicas and the daisy fields it will be alright that you have forgotten because I will be able to tell you about how it felt to be feeling that way you cannot quite remember – that will be for the time when something happens years from now that reminds you of now.

Our flaws are what makes us human. If we can accept them as part of who we are, they really don't even have to be an issue.

The capitalists owned everything in the world, and everyone else was their slave. They owned all the land, all the houses, all the factories, and all the money. If anyone disobeyed them they could throw him into prison, or they could take his job away and starve him to death. When any ordinary person spoke to a capitalist he had to cringe and bow to him, and take off his cap and address him as 'Sir'

If I'm not mistaken, Sigmund Freud said that in every idealisation there's an aggression. Depicting the Pope as a sort of Superman, a star, is offensive to me. The pope is a man who laughs, cries, sleeps calmly and has friends like everyone else. A normal person.

Power invariably elects to go into the hands of the strong. That strength may be physical or of the heart or, if we do not fight shy of the word, of the spirit. Strength of the heart connotes soul-force. Let it be remembered that physical force is transitory, even as the body is transitory. But the power of spirit is permanent even as the spirit is everlasting.

If someone says that he can think or talk about quantum physics without becoming dizzy, that shows only that he has not understood anything whatever about it.

Searching for the self when I was entirely alone was hazardous. What if I found not so much a great emptiness as a space full of unpleasant contents, a compound of long-hidden truths, closeted, buried, forgotten. When I went looking, I was playing a desperate game of hide-and-seek, fearful of what I might find, most afraid that I would find nothing.

If you participate in life, you don’t see it clearly: you suffer from it too much or enjoy it too much. The artist, to my way of thinking, is a monstrosity, something outside nature. All the misfortunes Providence inflicts on him come from his stubborness in denying that maxim.

Extinguish my eyes, I'll go on seeing you. Seal my ears, I'll go on hearing you. And without feet I can make my way to you, without a mouth I can swear your name. Break off my arms, I'll take hold of you with my heart as with a hand. Stop my heart, and my brain will start to beat. And if you consume my brain with fire, I'll feel you burn in every drop of my blood.

But my way of writing is rather to think aloud, and follow my own humours, than much to consider who is listening to me; and, if I stop to consider what is proper to be said to this or that person, I shall soon come to doubt whether any part at all is proper.

If you don't go to Broadway, you're a fool. On Broadway, off Broadway, above Broadway, below Broadway, go! Don't tell me there isn't something wonderful playing. If I'm home in New York at night, I'm either at a Broadway or an Off Broadway show. We're in the theater capital of the world, and if you don't get it, you're an idiot.

The reality is, I like imperfection. You take away from the world when you're not yourself. Whatever is unique and special about you was designed by God. And when you try to be someone else, we don't get you. Who knows what you would have contributed to the world had you just been yourself, if you had just celebrated who you are and just walked boldly?

I am learning to see. I don't know why it is, but everything enters me more deeply and doesn't stop where it once used to. I have an interior that I never knew of... What's the use of telling someone that I am changing? If I'm changing, I am no longer who I was; and if I am something else, it's obvious that I have no acquaintances. And I can't possibly write to strangers.