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I had become too accustomed to the pseudo-Left new style, whereby if your opponent thought he had identified your lowest possible motive, he was quite certain that he had isolated the only real one. This vulgar method, which is now the norm and the standard in much non-Left journalism as well, is designed to have the effect of making any noisy moron into a master analyst.

The ethics of plagiarism have turned into the narcissism of small differences: because journalism cannot own up to its heavily derivative nature, it must enforce originality on the level of the sentence.

Journalism is just a gun. It’s only got one bullet in it, but if you aim right, that’s all you need. Aim it right, and you can blow a kneecap off the world.

If I'm still wistful about On the Road, I look on the rest of the Kerouac oeuvre--the poems, the poems!--in horror. Read Satori in Paris lately? But if I had never read Jack Kerouac's horrendous poems, I never would have had the guts to write horrendous poems myself. I never would have signed up for Mrs. Safford's poetry class the spring of junior year, which led me to poetry readings, which introduced me to bad red wine, and after that it's all just one big blurry condemned path to journalism and San Francisco.

Myth is much more important and true than history. History is just journalism and you know how reliable that is.

Editor: a person employed by a newspaper, whose business it is to separate the wheat from the chaff, and to see that the chaff is printed.

American journalism (like the journalism of any other country) is predominantly paltry and worthless. Its pretensions are enormous, but its achievements are insignificant.

Just because something is typed-whether it is typed on a business card or typed in a newspaper or book-this does not mean that it is true.

Poetry, the best of it, is lunar and is concerned with the essential insanities. Journalism is solar (there are numerous newspapers named The Sun, none called The Moon) and is devoted to the inessential.

The sheer novelty and glamor of the Western diet, with its seventeen thousand new food products every year and the marketing power - thirty-two billion dollars a year - used to sell us those products, has overwhelmed the force of tradition and left us where we now find ourselves: relying on science and journalism and government and marketing to help us decide what to eat.

Confrontation is not a dirty word. Sometimes it's the best kind of journalism as long you don't confront people just for the sake of a confrontation.

Journalism allows its readers to witness history; fiction gives its readers an opportunity to live it.

Journalism is "a low trade and a habit worse than heroin, a strange seedy world of misfits and drunkards and failures.

It's all storytelling, you know. That's what journalism is all about.

The best fiction is far more true than any journalism.

Journalism is printing what someone else does not want printed: everything else is public relations.

Numerous politicians have seized absolute power and muzzled the press. Never in history has the press seized absolute power and muzzled the politicians.

The one function that TV news performs very well is that when there is no news we give it to you with the same emphasis as if it were.

Many people would no more think of entering journalism than the sewage business - which at least does us all some good.

Personal columnists are jackals and no jackal has been known to live on grass once he had learned about meat - no matter who killed the meat for him.

I have very strong theories about magazine publishing. And I think that it is the most personal form of journalism. And I think that a magazine is an old friend.

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