I came to poetry through the urgent need to denounce injustice, exploitation, humiliation. I know that's not enough to change the world. But to remain silent would have been a kind of intolerable complicity.
Tahar Ben JellounRead
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I came to poetry through the urgent need to denounce injustice, exploitation, humiliation. I know that's not enough to change the world. But to remain silent would have been a kind of intolerable complicity.
Experience demands that man is the only animal which devours his own kind, for I can apply no milder term to the general prey of the rich on the poor.
Dogmatism of all kinds--scientific, economic, moral, as well as political--are threatened by the creative freedom of the artist. This is necessarily and inevitably so. We cannot escape our anxiety over the fact that the artists together with creative persons of all sorts, are the possible destroyer of our nicely ordered systems. (p. 76)
Your first family is your blood family and you always be true to that. That means something. But there's another family and that's the kind you go out and find. Maybe even by accident sometimes. And they're as much blood as your first family. Maybe more so, because they don't have to look out for you and they don't have to love you. They choose to.
The nurses, I have already learned, are the ones who give us the answers we’re desperate for. Unlike the doctors, who fidget like they need to be somewhere else, the nurses patiently answer us as if we are the first set of parents to ever have this kind of meeting with them, instead of the thousandth.
The conviction that the world and man is something that had better not have been, is of a kind to fill us with indulgence towards one another.
This fellow is wise enough to play the fool; And to do that well craves a kind of wit: He must observe their mood on whom he jests, The quality of persons, and the time, And, like the haggard, check at every feather That comes before his eye. This is a practise As full of labour as a wise man's art For folly that he wisely shows is fit; But wise men, folly-fall'n, quite taint their wit.
Churchill: "Madam, would you sleep with me for five million pounds?" Socialite: "My goodness, Mr. Churchill... Well, I suppose... we would have to discuss terms, of course... " Churchill: "Would you sleep with me for five pounds?" Socialite: "Mr. Churchill, what kind of woman do you think I am?!" Churchill: "Madam, we've already established that. Now we are haggling about the price
Satire is a sort of glass wherein beholders do generally discover everybody’s face but their own; which is the chief reason for that kind reception it meets with in the world, and that so very few are offended with it.
It’s never going to be very mainstream. One reason is that poetry requires concentration, both on the part of the writer and the reader. But it’s kind of unkillable, poetry. It’s our most ancient artform and I think it’s more relevant today than ever, because it’s one person saying what they really believe.
Human kind is made up of two sexes, women and men. Is it possible that a mass is improved by the improvement of only one part and the other part is ignored? Is it possible that if half of a mass is tied to earth with chains and the other half can soar into skies?
The kind of man who demands that government enforce his ideas is always the kind whose ideas are idiotic.
And liberty cannot be preserved without a general knowledge among the people who have a right from the frame of their nature to knowledge, as their great Creator who does nothing in vain, has given them understandings and a desire to know. But besides this they have a right, an indisputable, unalienable, indefeasible divine right to the most dreaded and envied kind of knowledge, I mean of the characters and conduct of their rulers.
It is our destiny to live with the wrong as well as the right kind of citizens, and to learn from them, the wrong-minded ones, as much or more as from others. If we have not yet succeeded -after how many centuries?- in eliminating from life the elements which plague us perhaps we need to question life more closely. Perhaps our refusal to face reality is the only ill we suffer from, and all the rest but illusion and delusion. (p.26)
Tore up my heart and shut it down. Nothing to do, nowhere to be. A simple little kind of free. Nothing to do, no one but me, and that's all I need. I'm perfectly lonely.
Then there was this freedom the little guys were always getting killed for. Was it freedom from another country? Freedom from work or disease or death? Freedom from your mother-in-law? Please mister give us a bill of sale on this freedom before we go out and get killed. Give us a bill of sale drawn up plainly in advance what we're getting killed for... so we can be sure after we've won your war that we've got the same kind of freedom we bargained for.
But the sun itself, however beneficent, generally, was less kind to Coketown than hard frost, and rarely looked intently into any of its closer regions without engendering more death than life. So does the eye of Heaven itself become an evil eye, when incapable or sordid hands are interposed between it and the thing it looks upon to bless.
I have spent my life falling. Not the kind that Tiny's talking about. He's talking about love. I'm talking about life. In my kind of falling, there's no landing. There's only hitting the ground. Hard. Dead, or wanting to be dead. So the whole time you're falling, it's the worst feeling in the world. Because you feel you have no control over it. Because you know how it ends.
I do strongly feel that among the greatest pieces of luck for high achievement is ordeal. Certain great artists can make out without it, Titian and others, but mostly you need ordeal. My idea is this: the artist is extremely lucky who is presented with the worst possible ordeal which will not actually kill him. At that point, he's in business: Beethoven's deafness, Goya's deafness, Milton's blindness, that kind of thing.
The hardest-learned lesson: that people have only their kind of love to give, not our kind.
I believe that there will be ultimately be a clash between the oppressed and those who do the oppressing. I believe that there will be a clash between those who want freedom, justice and equality for everyone and those who want to continue the system of exploitation. I believe that there will be that kind of clash, but I don't think it will be based on the color of the skin.
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