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How simple a thing it seems to me that to know ourselves as we are, we must know our mothers names.
You know, there's nothing you can do about your public image. It is what it is. I just try to do things honestly. I guess honesty is what you would call subjective: if you feel good about what you're doing, yourself, if you figure you're doing the right thing.
The thing about cooking is it's so interesting to watch. I don't know why, but if you go to somebody's house and they're making something, they usually say interesting things while they're cooking.
The last time I did a movie that needed a horse, I said: 'If it moves, I'm out of here.' The worst thing is, they know when you're afraid and act up accordingly. I've had them run off on me. Horses I do not like.
The minute I start to talk about acting, I realize that I can't. You know, it's an abstract thing, a little bit mysterious even if you do it for a living.
No, but way before that, I've been doing little dances in movies for years. Yeah, that was an amazing chance. You know, at my age to be able to do a music dance video, very unusual.
My background is in musical comedy. I didn't know I was going to be an actor. But all my points of reference have to do with musical comedy and in being kind of a showoff.
I never know when I am being funny, and the other way too. I don't think you can think about that. I don't think you can try to be funny. Some people are just funny.
I don't know why people eat so badly. I could eat pasta all the time, but it really is fattening. And I love ice cream, but I can't do that. There was a time, until I was in my mid-forties, when I could eat a whole pizza - and really, no effect.
Early on, I played one or two disturbed people, and I guess I must have been good at it, because it stuck. But, you know, I'm a regular guy. I stay home a lot, I make an effort to keep a distance from the whole social thing, the openings, the parties. I try to live in a calm way.
Acting is a bit like being an athlete. You spend all your time getting ready to do something for two minutes. All the things that made my career in the movies happen took two or three minutes, which is the time that it takes for a 'take'. In that time, something happens. That's what people know you for, just like someone running the hundred metres.
When you're onstage and you know you're bombing, that's very, very scary. Because you know you gotta keep going - you're bombing, but you can't stop.
It's interesting - a lot of good actors are good mimes. But I'm terrible. If I tried to do an impression, nobody would know what I was doing.
And I think that when I play these villains, maybe what is different is that the audience sees me play these and they know that that's Chris and he's having fun and he knows that and he knows that and you know that and everybody knows that.
No, improvising is wonderful. But, the thing is that you cannot improvise unless you know exactly what you're doing.
Because if I don't know my lines, I really don't know what I'm doing.
I have a vision, and I know I'm right.
I tend to eat things in fours. I'll eat four nuts, four grapes, four chips at a time. I don't know why. It's not really a superstition. I don't think anything bad will happen if I don't, but three potato chips doesn't seem right.
Things work well when a group of people know each other, and things break down when it's a bunch of random people interacting.
The Q I loathe and despise, the Q every single writer I know loathes and despises, is this one: 'Where,' the reader asks, 'do you get your ideas?' It's a simple question, and my usual response is a kind of helpless, 'I don't know.'
Everyone knows now how early a fetus becomes a baby. Women who have been pregnant have seen their babies on ultrasounds. They know that there is a terrible truth to those horrific pictures the anti-choice fanatics hold up in front of abortion clinics.
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