At Kobe, whither I fled from Hong Kong, I took a step of great importance. I cut off my cue, which had been growing all my life.
Sun Yat-SenRead
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At Kobe, whither I fled from Hong Kong, I took a step of great importance. I cut off my cue, which had been growing all my life.
Hong Kong people say Hong Kong needs to preserve its uniqueness. I say Hong Kong's uniqueness is in its diversity, its tolerance of difference cultures... China does not want to see Hong Kong in decline. I have full confidence in its future.
Hong Kong people do not keep silent and I urge people around the world to keep their eyes on Hong Kong and the passion with which people are fighting for basic rights. We never give up and we will not be silenced.
We will continue civil disobedience to fight for democracy and for human rights in Hong Kong.
This is what the difference is between Hong Kong and Chinese cinema - Chinese cinema was made for their own communities. It was for propaganda. But Hong Kong made films to entertain, and they know how to communicate with international audiences.
No film has captivated my imagination more than 'King Kong.' I'm making movies today because I saw this film when I was 9 years old.
We do not want to see a Hong Kong that enjoys freedoms on paper but whose autonomous status conceals the workings of a totalitarian state.
Hong Kong people stand in the front line to confront authoritarian suppression.
We shall continue our fight for democracy and freedom because we do not accept that Hong Kong will be transformed into a police state.
Hong Kong was promised democracy under the framework known as 'one country, two systems,' and China is ignoring this promise. The international community should be more attuned to this. It matters.
My films are never about what Hong Kong is like, or anything approaching a realistic portrait, but what I think about Hong Kong and what I want it to be.
I have the responsibility to tell everybody that I am not the only political prisoner in Hong Kong and that there will be more coming.
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