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The study of gender and language might seem at first to be a narrowly focused field, but it is actually as interdisciplinary as they come.
One of the nice things about the United States is that, wherever you go, people speak the same language. So native New Yorkers can move to San Francisco, Houston, or Milwaukee and still understand and be understood by everyone they meet. Right? Well, not exactly. Or, as a native New Yorker might put it, 'Wrong!'
One of the first studies in the field of gender and language, by Don H. Zimmerman and Candace West in 1975, found that in casual conversations between women and men, women were interrupted far more often.
I like having a paperback original. And until literature catches up with the culture - the violence, language, syntax, compression, concision, complexity and diversity that the Internet offers - books still make sense.
I think 'Mrs. Brown's Boys' in particular is very good, though I do find that perhaps the language is a bit strong for a family, but it is very popular, and I think it's very funny.
I was obsessed with what a song was and what the possibilities of language in a song are.
Dance music is no longer a simple Donna Summer beat. It's become a whole language that I find fascinating and exciting. Eventually, it will lose the dance tag and join the fore of rock.
Music is indeed the universal language and unites people.
If you were to talk to somebody from Georgia you would understand what he's saying, he wouldn't sound like your next-door neighbor in Montana, but other than that it's the same language, just with a few little different nuances. That's just like country and blues, or blues and rock 'n' roll. They're the same music with different accents.
Most of the dramatism in Wagner comes from a very close link between the music and the language of the text. So much of the expressivity of Wagner's music dramas comes from the singers' capacity to play with the sound of the language. This kind of thing you can do very well in concert performance.
Across a range of inferences involving not just language but mathematics, logic problems, and spatial reasoning, sleep has been shown to enhance the formation and understanding of abstract relations, so much so that people often wake having solved a problem that was unsolvable the night before.
I can easily relate to the fighters almost as a sixth sense. I can pick up what they're thinking and read their body language.
Language and poetry are endlessly fascinating. The most brilliant work can be so sparse yet so full of meaning. That's what I'm looking for in a song: imagery to describe things in ways that are perfectly concise. I'm constantly trying to find one hard, crystal thing.
I can judge someone by body language and eyes.
As long as somebody finances you, can make a film and get it seen any place and in any language; then, hopefully, it's a success.
We have found that companies need to speak a common language because some of the suggested ways to harness disruptive innovation are seemingly counterintuitive. If companies don't have that common language, it is hard for them to come to consensus on a counterintuitive course of action.
A painting lets us know how somebody literally saw things. A piece of music is another language that transmits a whole wealth of emotion and wordless experience. But writing is special in the way at allows us to temporarily enter another person's world, to step outside the boundaries of our own time and space.
The idea of somebody suffering is really painful to every human. In our collective language, we all too often see those who are suffering as a victim to be pitied, to be feared, and even sometimes to be despised. I want to redirect that narrative.
I lived in Moscow for four years and really, really enjoyed it, and I have a really deep love for the Russian language and Russian culture.
You do see very few English players going abroad and those that do are largely good players otherwise they wouldn't have gone, but I feel a lot of their downfall is in the language. On the pitch you can learn the different basics of 'left,' 'right' and 'behind you' but off the pitch you want to have that influence around the team.
I think the most dangerous word in the English language is 'should.' 'I should have done this.' Or 'I should do that.' 'Should' implies responsibility. It connotes demand. Which is just not the case. Life ebbs and flows.
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