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When I sit down with filmmakers, I feel like we speak the same language in a lot of ways. We watch the same movies and have the same influences. If anything, it creates a dialogue that makes my work more effective.

But I am Northern myself, and there is a certain rhythm of Northern speech that is very comical: that combination of the choice of language and the speech rhythm, which in itself is very funny.

Language is ever on the move, and most days, I check out the 'Urban Dictionary' where anyone can invent a new and useful word or phrase.

I had two experiences with very close friends of mine who experienced aphasia, the loss of language. It shocked me.

It's very easy to lose language - it can be shut off in a second.

The wonderful thing about writing for theatre is you can go anywhere you want with the language. There are no limits. With film, they frown on language - it's always 'Too many words.'

People appreciate when you make an effort to speak their language.

It is okay to experiment with language. Writers such as James Joyce, Virginia Woolf experimented with writing, but basically, one must have a familiarity with the language. And to have that, one must respect it.

When I came here I moved to London and I was meeting so many new people and had to speak only in English, which is not my native language.

I worked with Mauricio Pochettino and even as a player, he had certain mannerisms and his body language. There was so much to learn from.

I love learning things, whether it's a language or Philippine knife-fighting or the Viennese waltz.

As a musician, language is almost like another instrument. Every word has a sound.

The language of politics is spoken in the first-person plural, and for Conservatives, the duty of the politician is to maintain that first-person plural in being.

I didn't know the technical language of filmmaking, so I said, 'OK, I'm going to do my own storyboard,' because I had to explain to the crew and the technical people what I wanted.

As for the once-revolutionary 'Agon,' after more than half a century, its lessons and revelations have been so absorbed into the language of ballet that it now seems almost conventional.

I was only 19 when I came to Hoffenheim. Everything was new to me - a strange country, a foreign language. That was not easy at the beginning. Europe was a big adventure to me, and of course I had my doubts.

Money has a language of its own.

'New Mutants' #100 went out the door with over a million copies. It is the highest-selling last issue of any comic ever. And that's when I knew that I spoke fandom. I spoke their language.

Bharathirajaa taught me everything, from body language to emoting with one's eyes.

Nineties hip-hop in particular really shaped what became the common pop cultural language that we all speak.

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