Quotes on Leafs

As with all my work, whether it's a leaf on a rock or ice on a rock, I'm trying to get beneath the surface appearance of things. Working the surface of a stone is an attempt to understand the internal energy of the stone.

The reality of truth is not to be bought, to be sold, to be repeated; it cannot be caught in books. It has to be found from moment to moment, in the smile, in the tear, under the dead leaf, in the vagrant thought, in the fullness of love.

Who o'er the herd would wish to reign, Fantastic, fickle, fierce, and vain! Vain as the leaf upon the stream, And fickle as a changeful dream; Fantastic as a woman's mood, And fierce as Frenzy's fever'd blood. Thou many-headed monster thing, Oh who would wish to be thy king!

The sweet calm sunshine of October, now_x000D_ _x000D_ Warms the low spot; upon its grassy mold_x000D_ _x000D_ The pur0ple oak-leaf falls; the birchen bough_x000D_ _x000D_ drops its bright spoil like arrow-heads of gold.

The man who is ostentatious of his modesty is twin to the statue that wears a fig-leaf.

For me looking, touching, material, place and form are all inseparable from the resulting work. It is difficult to say where one stops and another begins. Place is found by walking, direction determined by weather and season. I take the opportunity each day offers: if it is snowing, I work in snow, at leaf-fall it will be leaves; a blown over tree becomes a source of twigs and branches.

People will never understand the patience a photographer requires to make a great photograph, all they see is the end result. I can stand in front of a leaf with a dew drop, or a rain drop, and stay there for ages just waiting for the right moment. Sure, people think I'm crazy, but who cares? I see more than they do!

If you paint the leaf on a tree without using a model, your imagination will only supply you with a few leaves; but Nature offers you millions, all on the same tree. No two leaves are exactly the same. The artist who paints only what is in his mind must very soon repeat himself.

As a water bead on a lotus leaf, as water on a red lily, does not adhere, so the sage does not adhere to the seen, the heard, or the sensed.

In the dooryard fronting an old farm-house near the white-wash'd palings, Stands the lilac-bush tall-growing with heart-shaped leaves of rich green, with many a pointed blossom rising delicate, with the perfume strong I love, With every leaf a miracle - and from this bush in the dooryard, With delicate-color'd blossoms and heart-shaped leaves of rich green, A sprig with its flower I break.

Our life is a faint tracing on the surface of mystery, like the idle, curved tunnels of leaf miners on the face of a leaf

How do you write? You write, man, you write, that's how, and you do it the way the old English walnut tree puts forth leaf and fruit every year by the thousands. . . . If you practice an art faithfully, it will make you wise, and most writers can use a little wising up.

One writes such a story [The Lord of the Rings] not out of the leaves of trees still to be observed, nor by means of botany and soil-science; but it grows like a seed in the dark out of the leaf-mold of the mind: out of all that has been seen or thought or read, that has long ago been forgotten, descending into the deeps. No doubt there is much personal selection, as with a gardener: what one throws on one's personal compost-heap; and my mold is evidently made largely of linguistic matter.

Life that crawled, life that slunk and crept and never closed its eyes. Life that burrowed and scurried, and life so still it was indistinguishable from the ivy stems on which it lay. Birth, life, and death - each took place on the hidden side of a leaf.

A warrior is a hunter. He calculates everything. That's control. Once his calculations are over, he acts. He lets go. That's abandon. A warrior is not a leaf at the mercy of the wind. No one can push him; no one can make him do thingsagainst himself or against his better judgment. A warrior is tuned to survive, and he survives in the best of all possible fashions.

The book of nature is the book of fate. She turns the gigantic pages, leaf after leaf never returning one.

My days are in the yellow leaf; The flowers and fruits of love are gone; The worm, the canker, and the grief, Are mine alone!

Innumerable as the stars of night, Or stars of morning, dewdrops which the sun Impearls on every leaf and every flower.

To regret the exchange of earthly pleasures for the joys of Heaven, is as if the grovelling caterpillar should lament that it must one day quit the nibbled leaf to soar aloft and flutter through the air, roving at will from flower to flower, sipping sweet honey from their cups, or basking in their sunny petals.

The chief beauty about time is that you cannot waste it in advance. The next year, the next day, the next hour are lying ready for you, as perfect, as unspoiled, as if you had never wasted or misapplied a single moment in all your life. You can turn over a new leaf every hour if you choose.

Time seems to pass. The world happens, unrolling into moments, and you stop to glance at a spider pressed to its web. There is a quickness of light and a sense of things outlined precisely and streaks of running luster on the bay. You know more surely who you are on a strong bright day after a storm when the smallest falling leaf is stabbed with self-awareness. The wind makes a sound in the pines and the world comes into being, irreversibly, and the spider rides the wind-swayed web.