Quotes on Like

Lifting the veil of secrecy that shrouds police misconduct allegations would seem like an obvious democratic value. After all, if police work for the people, should they not be answerable to the people, as well? This is a basic tenet of good government.

Being told that I looked like I belonged everywhere and to everyone helped me feel my fledgling pride in my own multiracialism.

The more I had to act like a saint, the more I felt like being a sinner.

Freedom will not prevail because of historical forces; it will only win, if it does, because of historical actors. In other words, us. Those like me who came of age around 1989 used to take democracy for granted.

It would be misleading to say, 'I believe in the Force,' in the same sense that it would be misleading to say, 'I believe in the sun.' Give it whatever name you like - the Force, the Tao, the Holy Spirit, the Universal Mind - I see it in action everywhere I look, both in the world and in myself.

Some people get into this business and they're so afraid to lose anything. They try to protect their position like clinging to a beachhead. These actors end up making really safe choices. I never wanted to go that route. If I go down, I'm going down swinging.

Everybody is going to die, so people are enthralled by the possibility that they don't have to completely die, that there is something that comes afterward. It's like if you're going to France for the summer, you're going to read up on it. Everyone just wants to know where they're going, or if they're going anywhere.

I discovered writing children's books was a way to keep living in my imagination like a child. So I wrote a number of books before I started 'Magic Tree House.' Then, once I got that, I never looked back because I could be somewhere different in every single book.

So many people are like, 'I'm perfect.' I'm so imperfect; that's why I'm able to let everything out and let people see everything. 'Cause I'm just a mess like every other person that's a mess out there.

I have no religious belief myself, but I don't think we should fight about it. In particular, I think that we should not rubbish moderate religious leaders like the Archbishop of Canterbury because I think we all agree that extreme fundamentalism is a threat, and we need all the allies we can muster against it.

Though it may not seem like it, I never try to write about a place, per se; it's always, first and last, about story. Story is everything. Story and a bit of attitude.

What I love about the theatre is that it's always metaphorical. It's like going back to being a kid again, and we're all pretending in a room. Sometimes, when the pretending really works, I find it much, much more moving than something on film.

When I was writing for children, I was writing genre fiction. It was like making a good chair. However beautiful it looked, it needed four legs of the same length, it had to be the right height and it had to be comfortable.

The people I don't like to work with are people like me. I need people who can complement my skill set, people who can do the nitty gritty with me.

The best thing I ever did in my life was to ask, 'Do I like everybody?' And the answer was, 'No.' So why should everybody like me? If people are against me, so what? I'm against them too.

Motor racing is like one big family, ultimately, and when you come back to it, that's really what it feels like.

The beauty of America is that I don't have to deny my past to affirm my present. No one does. We can love this nation like a parent and still embrace our ancestral home like cherished grandparents.

I'd like to tidy up the entire planet. I would go anywhere if there were something that needs tidying.

Prejudice is like a hair across your cheek. You can't see it, you can't find it with your fingers, but you keep brushing at it because the feel of it is irritating.

I was taught you don't tell your secrets to strangers - certainly not secrets that expose error, weakness, failure. My generation, like its predecessors, was taught that since our achievements received little notice or credit from white America, we were not to discuss our faults, lapses, or uncertainties in public.

I was born in 1947, and my generation, like its predecessors, was taught that since our achievements received little notice or credit from white America, we were not to discuss our faults, lapses, or uncertainties in public.