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I can't learn lines comfortably unless I have it done out loud with someone else.

To those who would call me a thug or worse because I show passion on a football field - don't judge a person's character by what they do between the lines. Judge a man by what he does off the field, what he does for his community, what he does for his family.

Type a few lines of code, you create an organism.

Hesitating and hand-wringing when confronted by violence discourages the human-rights activists on the front lines and emboldens the enemy.

I don't have an acting coach, but the closest thing I have would be some of my peers that are my close friends. We bounce ideas off each other and help one another run our lines all the time.

The bad guy always gets the best scene and the best lines in the film, and they usually get the most days off.

I'm a factory-floor actor: I learn the lines, I get there on time.

Don't be late. Learn your lines. Be good to people. Treat people nice.

For me, when I did 'Thor,' they changed my lines at the last minute, and then I had to speak with an English accent - and it was horrifying. I was in front of a crew of 250 people on my first day - never happened to me before.

If I get two lines in the script, I somehow turn it into 20. I've got a bit of a bad habit of doing that, of just embellishing my little moment.

In 'Night At The Museum 3,' with Ben Stiller, I was only given a couple of lines. If you are in guys' comedies, it's not like you are ever going to just get handed some jokes and a brilliant role.

The traditional villain has died a natural death. Today even a hero can portray a negative character. There are no lines drawn. The scope for actors like me has condensed.

The fiction I'm most interested in has lines of reference to the real world.

There's a road that runs through our humanity and it traverses political and partisan lines, and my job as a U.S. senator is to do everything I can to point to that road that connects our collective humanity and to push forward legislation that's good for everybody.

At one stage, I just wanted to play one Test for India. People used to say I was just a T20 bowler, a limited-overs bowler. All these tag lines were doing the rounds but I did want to make a difference.

I now go to my dad's grave to read scripts and learn lines. It's the most peaceful place. I go to see him, and it's fantastic.

The script looks huge when you first get it, but you just have to go home and drill the lines out. The more you read it, the shorter it gets. I usually read it at least four times.

The important thing with memorising a part is not to force it. Sometimes when you're rehearsing, you'll think it's not going in, but it is. On stage, you have to trust that the lines are there, because they are. The real challenge is to relax.

I can guarantee this to you: every single actor has had a dream of walking on stage on press night and realising that they don't know their lines.

There's no trend lines that work in entertainment. You can break any trend line by offering value that we as consumers of content want.

Representation is actually when the character doesn't have lines, but the camera is lingering on them in their thoughts after something happened, and then we get to see them walk to their car. You really need to follow a character in order to understand what they're going through.

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