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It's much nicer to be known as Mr. Nice Guy than Mr. Nasty Guy. But you've got to have lines - and when you hit the line, that's the end of the story, nice guy or not.
I've played a lot of tough guys in movies over the years, but you know what? Looking cool and saying lines that somebody else wrote for me doesn't make me a real tough guy any more than looking cool and reading lines off the teleprompter that somebody else wrote makes a community organizer a real leader.
Improv plays such a huge role in finding great lines - you'll be surprised at what comes out of your mind inadvertently. A lot of times it's better than a script you've worked out ahead of time.
You have to have a first job to learn how to act, do interviews, pose for photo shoots, and negotiate how you'll say lines with writers. My first network show, 'Cavemen,' just happened to be one that was culturally reviled.
In the summer after sixth grade, I took a class at St. Robert Bellarmine. My first role, I was the villain in a play, and I forgot all my lines. I think I cried my way through the performance.
I haven't done any 'Fringe' shows since I was about 17. Then I performed with my youth theatre in a show where we all had this old-fashioned make-up on and giggled through our lines.
Nathan Lane always wanted to play Oscar. When he came in the first day, he already knew his lines. He said he'd known them since he was 18.
I love reading beautiful stories. I love poems and yes, I fantasize about someone writing beautiful lines for me.
The police is using decaying equipment. The military, which has also been on the front lines in combating domestic terrorism, has been doing so with outdated and insufficient equipment.
I didn't take up 'Chinnanchiru Kiliye' thinking I should continue on these lines from now on.
That has been everybody's challenge, above the dancing, the singing, the lines: getting into who these characters would be in 2015. Today's Tin Man is heartfelt, but he wouldn't be soft. Today's Dorothy would be sassy.
When I'm actually writing by hand, I get more of a sense of the rhythm of sentences, of syntax. The switch to the computer is when I actually start thinking about lines. That's the workhorse part. At that point, I'm being more mathematical about putting the poem on the page and less intuitive about the rhythm of the syntax.
I want to do something in medicine, for sure. I don't know what, exactly, that entails, but something along those lines.
I love hard punch lines, and I like anything that has a strong point of view.
There are certain expectations that are put on you as a child actor, but mainly it's just turn up and say your lines with a lot of energy and a cute smile.
But I like some chaos on the sets which brings in spontaneity both in the cast and the crew. If the actor knows his or her spot, where the light comes from and what lines to say, it's a rehearsed performance.
Whenever I would go to Hrithik's vanity van to chat or rehearse lines, I'd see him working out or watching inspirational videos. One thing that I've learnt from him is that, as an actor, you have to worship your body.
Performing arts buildings are complex. The acoustics, the sight lines and all that have to just be perfect. So you begin with just making these things sublime as musical instruments. And if you fail there, you have failed it all.
As I continue to write as M. O'Keefe, I find myself following darker story lines. Plots I might have flinched away from I now rush toward. Using sex as a tool to tell women's stories is endlessly fascinating.
I loved 'Friday Night Lights' because it was totally committed to every facet of its storytelling. Incredible actors, story lines that weren't easy or predictable. It made me laugh, and it broke my heart over and over again.
I've written 26 books and novellas as Molly O'Keefe. I moved through three different Harlequin lines and into single-title romance with Bantam writing under that name. Fun fact: It's not my name, and it's not even one I picked.
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