Explore Quotes on Littles

While we have prisons it matters little which of us occupy the cells.

I never saw a man who looked With such a wistful eye Upon that little tent of blue Which prisoners call the sky.

I swim all the time at night - I've always been a water girl. It's a black-bottom pool and my pool light was out, and as I've done a thousand times I just kind of did a little seal dive. I saw a huge bright light and I literally thought, That's it.

Obviously, when I learn about something new that I can do in my everyday life that makes a whole lot of sense and can help the environment, I do it. Eventually, it just becomes second nature. If we all begin to learn from one another and share some of the things we do, we just might be able to affect the world for the better through these little rituals. In a curious way, this would be a great wave of awareness: doing the right thing without being told to or having to think why.

I became an actor at a very young age, but I also had a deep respect for nature and I think I was sort of a little biologist when I was younger. I watched documentaries on rainforest pollution and the loss of species and habitats for animals around the world. It affected me in a very hardcore, emotional way when I was younger. So, later in life I wanted to continue that path more and investigate and learn more about ecological issues.

It's a story of little girls who are pressed into working in sweat shops in games, who spend all day doing repetitive grinding tasks like making shirts, which are then converted into gold and sold on eBay.

And oftentimes excusing of a fault Doth make the fault the worse by the excuse, As patches set upon a little breach, Discredit more in hiding of the fault Than did the fault before it was so patch'd.

Strictly speaking, no activity and no industry is possible without a certain amount of violence, no matter how little. Even the very process of living is impossible without a certain amount of violence. What we have to do is to minimize it to the greatest extent possible.

In an age where there is much talk about "being yourself," I reserve to myself the right to forget about being myself, since in any case there is very little chance of my being anybody else.

We pursue modernity in her incessant metamorphoses yet we never manage to trap her. She always escapes: each encounter ends in flight. We embrace her and she disappears immediately: it was just a little air. It is the instant, that bird that is everywhere and nowhere. We want to trap it alive but it flaps its wings and vanishes in the form of a handful of syllables. We are left empty-handed. Then the doors of perception open slightly and the other time appears, the real one we were searching for without knowing it: the present, the presence.

They're all... looking... a little... nervous right now

I did grieve a bit when I wasn't having the chemo anymore. I was used to sitting in the little chair and then the nurse would come and do it. It was like that was your job for that long and it was reassuring.

So for me the approach has become to go into a story not really sure of what I want to say, try to find some little seed crystal of interest, a sentence or an image or an idea, and as much as possible divest myself of any deep ideas about it. And then by this process of revision, mysteriously it starts to accrete meanings as you go.

For me, the game would be to assume a very intelligent reader who can extrapolate a lot from a little. And that's become my definition of art; to get that pitch just right, where I can put a hint on page three, and the reader's ears go up a bit, as opposed to dropping it all on the first page.

When you read a short story, you come out a little more aware and a little more in love with the world around you. What I want is to have the reader come out just 6 percent more awake to the world.

If people are given the chance to experience life in more than one country, they will hate a little less. It's not a miracle potion, but little by little you can solve problems in the basement of a country, not on the surface.

So much is asked of parents, and so little is given.

If you have a little sensibility or a heart, you have all the reason to be depressed once in a while. But the depression is like a motor for creation. I need a little bit of depression, a bit of acid in my stomach, to be able to create. When I'm happy, I just want to dance.

Work and live to serve others, to leave the world a little better than you found it and garner for yourself as much peace of mind as you can. This is happiness.

Now, Tim has been really, really busy, and it's been my job now to kind of deal with everything. And trying to figure out how we balance that, logistically it's a nightmare. But these little jobs make it much easier.

We're not short of movements proclaiming that a different world is possible, but unless we can coordinate them into an international movement, capitalism just laughs at all these little organisations.