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I want to do all kinds of things. I want to do some comedy. I'd love to do a romantic comedy, and I'd love to do some period pieces with classical text. I'd love somebody to cast me as Macbeth, but for a film. I just want to be all over the place.
I can't write songs unless I am in love.
If I am not in love, nothing is meaningful to me. I have no energy.
I fell in love with words in all languages, and I read everything I could find, particularly myths and legends and histories and archeology and any novels.
I've always been in love with Melbourne. When I was 12, I was taken into the city by my grandmother to go to the ballet for the first time.
I'd love to play St. Joan or Hamlet, and hopefully I will.
Being a Moon Child is about believing in integrity, love, and unity.
When you feel fulfilled, you feel happy - You feel love. When it comes to love, you always come first. If you don't love yourself, you can't truly love anyone else, either. I always tell myself to stay in love.
I wrote 'Love Is Dead' when I was a super-depressed teenager.
I felt that with 'In A Perfect World' I was still kind of finding myself - not just as a musician, but also in love and in life.
Music has always been my first love, and I appreciate how a great musician can bring awareness to tough issues through their work.
I don't know which was the first love - music or fashion.
I'm a huge fan of writing for people rather than writing and then trying to wedge people in. I'd love to know who the people are before I can write for them. For me, it's a much more organic way to create characters.
To me, I'm sort of like Dorothy in 'The Wiz.' It kind of parallels my life. It's a story that reminds me... that home is where the love is. So if I go to Tampa or St. Pete, and I feel the love there, that's my home. That's where the love is.
I don't know how racists live with their racism. We need to take the road of love. I don't think folks are born that way; it's learned and taught out of fear.
I'm pretty firm in my sexuality and my love for women.
Many times you make music and someone decides to try and pick the best of everything. But if you wait, you sometimes fall out of love, or a song doesn't speak to you anymore, so you lose the moment.
Why not hold on to whatever I've got because it's as good as it's ever going to get. How can I believe that love is coming, how can I even believe that love exists; if I don't believe it's spiritually based?
One of the reasons I wrote 'Airborn' was that I'd fallen in love with the great passenger airships which flew in the '20s and '30s. Their time was short-lived. They were frail, they tended to crash; and they could never be as fast, safe and efficient as the airplanes that replaced them.
The more I worked on 'Half Brother,' the more it seemed to me the story was really about love in all its possible forms - how and why we decide to bestow it, or withdraw it; how we decide what is more worthy of being loved, and what is less. We are masters of conditional love.
You can only dance for so long, but you can act until you're dead, so... I fell in love with it and I want to keep doing it and pushing myself.
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