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Makeup transforms me. I feel like I'm in disguise when I walk my dog without makeup on.
When make-up girls say, 'You've such lovely skin' I always take the compliment, but I also flash straight back to my mother saying to my brother, 'Why don't you take Eva out? She's got lovely skin.' And my brother thinking that skin was the least important factor in deciding whether or not he took Eva out.
My first memories of make-up aren't great! I remember having a bright orange face and a white neck, I didn't know how to use make-up.
Nothing is ever good enough for some of these people, you know? You're either too big, too small, your makeup isn't right, your hair's not right, all the rest but that's the world we live in.
I was always the one in my family that was into make-up and I was always the one teaching my family and friends.
In all the shows I've done, I'm always the first to leave - it's in my make-up.
My genetic makeup is a little bit crazy.
I wanted to be a prosthetic makeup artist after watching 'A Nightmare On Elm Street'.
I really love taking a girl who has no idea how to wear makeup and teach her everything, and show her the difference at the end. The smile on their face is just amazing. It's like they won a million dollars.
One thing I longed to do was to design a complete look, from head to toe, so I started a make-up line in 1966.
I find that putting my make-up on and playing with different looks is really relaxing for me before the show. It kind of helps me make that transition from 'mommy' to 'performer,' or star or whatever you want to call it!
It's interesting that people take that fire out of their image of me when it's been part of my make-up through a whole managerial career. They ask me if I have regained my enthusiasm for the task after my experience at Sunderland. The answer is I never lost my enthusiasm.
I started out with makeup in 1963, 1964. And in 1965, I was coming out more, and I was still wearing makeup, but I was still going to jail just for wearing makeup.
'G.I. Joe' is a $200 million movie. The makeup trailer was as big as my house! It was a whole other different production. It blows me away. I'm just going, 'Wow, I'm in that.'
I don't turn down fights unless I'm injured. Never have. So it's a part of my makeup.
When I see Kate Moss out and about, I think she looks more beautiful than when her hairdresser and make-up artist try and make her look like something else. And I remember when Madonna first asked Versace to book me to shoot a campaign with her, she came to see me wearing hardly any make-up, and she looked incredible.
I don't like a tormented photograph. Something attracts you in them, but the attraction isn't because she has a pot on her head or tonnes of make-up and weird clothes and weird everything.
A fashion photographer is nothing without clothes and hair and makeup. And when I speak to other photographers, a lot of them can't reference a picture by the designer. Me, I say, 'The Balenciaga.' And I go to the shows. I feel like it's my business.
I have sun damage. I cover it up with make-up.
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