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Some women give birth and then two weeks later look amazing. I don't think I'm going to be one of those women, and I'm OK with that. I just want to be a good mom; I don't really care about having a hot bod.

I've struggled a lot in my life with feeling like a failure. I lived in a 'prison of perfectionism,' holding myself to a standard I couldn't possibly live up to. Then I became a mom, and all of a sudden, there arose even more opportunities for failure.

My mom brought me up by herself, so I was a latchkey kid. I would walk myself back from school and spent a lot of time at home alone, watching TV. There weren't a lot of Latinas - or any women of color. And the ones I saw were usually presented as stereotypes or treated like jokes.

My mom's collard greens. No one else in the world can make them like hers. I'm not just saying that because she's my mom. She's got some Mississippi secret. I could seriously eat them every day.

It's really hard juggling, trying to carve out a time to have a family and be a mom and have a career, especially a creative career.

When I was 7, I came up with the idea of 'charm socks.' My mom would take me to buy bags of plastic charms, we would sew them on frilly white socks, and I sold them at school.

My dad is a director/producer and my mom is a dancer; she performed with Alvin Ailey, but I didn't even think about becoming an actress.

After coating pasta with tomato-rich meat sauce, my mom would drizzle the bottom of a nonstick pot with oil and put it all back in to form a dark crust of tangled noodles. Once she unmolded it at the table like a cake, my brothers and I would excitedly cut into it, verbally laying claim to our preferred pieces.

When I was young, one Sunday every month or so, my mom would load my brothers and me into our station wagon and drive 80 miles north to Orange County, where we'd meet our extended family at a Persian restaurant for lunch.

My mom, who left Iran in 1976, steeped us in the smells, tastes, and traditions of Persian cuisine.

My mom is super fabulous, and I remember her telling me at 13, 'You can start wearing makeup now.' And the funny thing is, I didn't take her up on it!

I am the first one to go to university in my family. I am the first writer as well. My dad is a retired policeman, and my mom works for a glass-processing company. She is health-and-safety manager, and my stepfather is a plumber. I have four half siblings, one from my mom's marriage and three from my dad's marriage, so we are kind of scattered.

At the end of the day, I thought to myself, 'What do I want to be doing?' And yes, I want to be a part of this industry and in sports broadcasting, but more than anything else I want to be a great mom - the best mom I can be.

Ray Bradbury published his first story 29 years before I was born. He established himself as an international writer long before I arrived. When my mom was nine months pregnant with me, my father read Bradbury aloud to her as I listened intently, in utero. And I later became his biographer.

My mom is from Ghana, and my dad is from Detroit, so I would go back and forth to Africa a lot.

My mom is from Ghana, and my dad is from the States, so even in my family when I was growing up, my mom said I was the American one, and my dad said I was the weird African one.

I saw things at an early age because my mom was a theater actress. I did a play with her when I was 10 years old.

I had some interesting costumes... the one that I remember right offhand is Zorro when I was a lot younger. I was a big time Zorro fan. My mom helped me make it, and I remember having a big issue with the fact that she wouldn't let me carry around a real metal sword; it just had to be plastic.

There are so many slices to the African-American experience. I mean, I have the whole ghetto pedigree. My mom was in jail, I didn't have any money, and I didn't go to a fancy college. But that's not the type of story I want to tell or feel the need to tell on film.

Every touch and hug that I got from my grandmom and mom was therapeutic.

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